She greeted the new-comers with heartiness; laughed at their timidity; asked them what they were frightened at and told them, with no conventual restraint, that she was delighted to see them. When one mumbled something about being driven in by the rain she said, with a coy glance at her guests, that rain was much wanted just then about the convent. She put them at their ease. She chattered and warbled as one who loves to talk. Her voice rippled through the solemn hall like the song of a full-breasted thrush. She asked them their names and what they were doing. She wanted to hear the lighter gossip of Castle Hill and to be told of the scrapes in which they were involved and of the bearing of their lady loves. She twitted a handsome knight upon his good looks and caused a shy seigneur to stammer till he blushed.
It must not be supposed that she was an ordinary abbess or a type of the reverend lady who should control the lives and mould the conduct of quiet nuns. Indeed the recorder of this chronicle viewed her with disapproval and applied harsh terms to her; for in his description of this merry, fun-loving and comfortable person he uses such disagreeable expressions as mondaine and bonne viveuse.[[8]]
As the rain was still beating on the convent roofs and as the young men had travelled far the abbess invited them into the refectory, a white, hollow room with bare table and stiff chairs. Here wine was placed before them, of rare quality and in copious amount; while—sad as it may be to tell the truth—nuns began to sidle timidly into the room, one by one. Whatever might be the comment the fact cannot be concealed that the grim refectory was soon buzzing with as merry a company as ever came together and one very unusual within the walls of a convent.
The time was drawing near for the evening service. Whether the abbess invited the young men to join in the devotions proper to the house, or whether the young men, out of politeness, suggested that they should attend I am unable to state, for the historian is silent upon this point.
The service proceeded. The male members of the congregation were, I am afraid, inattentive. They were tired; they had passed through an emotional adventure and wine is soporific. They lolled in their seats; some rested their heads on the bench before them; some dozed; some even may have slept.
In a while the nuns began the singing of the “De Profundis” (Out of the Depths). As they sang one voice could be heard soaring above the rest, a voice clear and beautiful, vibrating with tenderness, with longing and with infinite pathos. The young men remained unmoved save one. This one, who had been lounging in a corner, suddenly awoke and was at once alert, startled and alarmed. He clutched the seat in front of him as if he would spring towards the spot whence the music came. His eyes, fixed on the choir, glared as the eyes of one who sees a ghost. His countenance bore the pallor of death. He trembled in every fibre of his body.
He knew the voice. It was to him the dearest in the world. It was a voice from “out of the depths,” for it belonged to one whom he believed to be dead. He could not see the singer; but he could see, as in a dream, the vision of a piteous face, a face with eyes as blue as a summer lake, with lips whimsical, tantalising and ineffable; could see the tender cheek, the chin, the white forehead, the waving hair. He knew that she who sang was no other than Blanche d’Entrevannes, whom he had loved and to whom he was still devoted.
But a few years past he had held her in his arms, had kissed those lips, and had thrilled to the magic of that voice. Her father had frowned upon their hopes and had forbidden their union. The lad had been called away to the wars. When he returned he had sought her out and was told that “she is dead.” He haunted every spot where they had wandered together, only to learn the truth that “no place is so forlorn as that where she has been,” and only to hear again that she was dead.
Blanche was not dead, but, believing their case to be hopeless, she had entered the convent of St. Pons and, in a few days’ time, would take the veil.
After the service the youth—whose name was Raimbaud de Trects—disappeared to find the singer at any cost. The search was difficult. At last he met a sympathetic maid who said that Blanche d’Entrevannes was indeed a novice in the convent and who, with little pressing, agreed to convey a message to her. The message was short. It told that he was there and begged her to fly with him that night. The answer that the maid brought back was briefer still, for it was a message of two words—“I come.”