MONACO: THE DRAWBRIDGE GATE, 1533.
The winter visitor is apt to pity the Monégasques for their narrow streets which keep out the life-giving sun. When the mistral blows he has less contempt for the sheltering lane and as the end of May is reached—when the sun is shunned as if it were mustard gas—he bolts across the square, like a man under fire, and diving into the cool, dim ways of Monaco thanks his creator for the blessing of shade.
The old church of St. Nicolas has been replaced by a new cathedral which was completed in 1897 and professes to be in the Romanesque-Byzantine style. This cathedral is, no doubt, a worthy example of modern art, but the building is so immense, so glaring and so ornate that it is quite out of touch with the humble little dun-coloured town. It is as inappropriate as would be the Albert Memorial if found by the duck-pond of a village green.
The old church was a loss to Monaco much to be deplored. It dated from the twelfth century, was in the form of a Latin cross and contained a number of curious chapels. It was composed largely of stone from the monument at La Turbie. M. Bosio describes it fully in his work and adds that its disappearance is very regrettable from the point of view of art.
Near the cathedral are two admirable museums, little as they may be expected on this war-battered rock. One is devoted to anthropology and the other to oceanography. They were instituted by the present prince whose attainments as a man of science are known the world over.
Immediately opposite to the cathedral is the old Hôtel de Ville or Maison Commune. It is a simple building of two stories, the door of which on the upper floor is approached by a double staircase ending in a modest balcony. It was constructed in 1660 and is, in spite of its simplicity, the most charming house in Monaco. The lower floor—M. Bosio states—was used for the storing of corn and meal for the people in times of siege, while the upper and more dignified rooms were the offices of the mayors, échevins or consuls.
Opposite the side door of the cathedral is the Rue des Carmes. It was so called because it contained a figure of the Madonna of Mount Carmel. “On the eve of the fête of Notre Dame du Mont-Carmel the old Monégasques surrounded this hallowed figure with flowers and lighted candles and sang hymns before it.”[[35]] The place of this figure is indicated by a painting of the Madonna of Mount Carmel on a wall of one of the houses.
The Rue des Briques is worth following to the end. It leads to the Mairie—a modern building of no interest—but just beyond the Mairie, on the right side of the road, is a humble-looking old house with a wide, round-arched doorway and square windows fitted with grilles. This was the Mint where money was struck when the Principality of Monaco had its own coinage. The use of the Mint appears to have been abandoned about 1840, although the currency of Monaco was not abolished until some years after.