“Viewing them as artificial, nothing can be more curious; and whether we suppose them to have been graves, or temples, or fortifications, they are equally calculated to awaken feelings of wonder, if not of awe. We see them in the wilderness, where, for ages, savage men alone have dwelt, and we behold them covered with majestic oaks, which have flourished for centuries. They have existed here in the silence and repose of the forest, unchanged amid the revolutions which have been carried on around them. They are among the few records of the past. A people ignorant of writing, painting, or sculpture, destitute of the mechanic arts, and without any knowledge of the use of metals, have left few memorials; unless we see them in the mounds, we might, perhaps, say none.
“If we suppose them to be natural, which, in my opinion, is the most rational belief, as to the majority of the mounds, they are still attractive, as natural curiosities, and as displaying a wonderful exhibition of the 45 creative power. Beheld in any light, they are interesting. Whatever may have been their origin, they adorn the monotony of western scenery, and afford employment to the fancy of the traveller. The plodding foot may tread carelessly over them, the uninquiring eye may pass them, unheeded; but the poet and philosopher linger around the hallowed spot where they stand, to catch inspiration, or to gather wisdom from these silent memorials.”
Judge Hall further says, “satisfied I am that if ever any rational hypothesis, in relation to these interesting remains of past ages, shall be invented, we shall owe it to the inspiration of the poet, and not to the researches of the philosopher.”
It is very certain that no one can confront the traveller who may be speculating upon these mounds, as Edie Ochiltree did the Antiquary, with “I mind the bigging o’ it.”
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“Isle of the beautiful! how much thou art, Now, in thy desolation, like the fate Of those who came in innocence of heart With thy green Eden to assimilate: Then Art her coronal to Nature gave To deck thy brow, Queen of the onward wave! And woman came, the beautiful and good, And made her happy home ’mid thy embracing flood.” |
The allusion, here, is to Blennerhasset’s Island, which is beautifully situated in the Ohio. The romantic story of its former inhabitants makes it a spot of great interest to the Emigrant, who, in descending the river, never fails to request that it may be pointed out to him; and it is often the topic of conversation and conjecture to him and his companions for hours after they have passed it. The author is indebted to Morgan Neville, Esq., for the following account of the Island and its unfortunate owner. Mr. Neville’s admirable tale of Mike Fink, and his other sketches, have created in the public an appetite for more, which they have long hoped he would be induced to gratify, with longer and more frequent productions; or, at least, that he would collect what he has written into a volume.
“Blennerhasset’s Island.––How many recollections of mingled pleasure and pain, does the name of this once beautiful spot, call to mind! In descending the Ohio, I never come in sight of the Island, without sensations almost too powerful to bear; and I linger on the deck of the boat, until the point below snatches it from view. The first impressions were made on me in early youth, and time cannot efface them; on the contrary, the long vista through which I look back to this western ‘Eden,’ presents it, probably, with exaggerated colorings of beauty and loveliness. The traveller, as he wanders over the grounds, once consecrated by philanthropy, cannot reconcile it with probability, that a proud mansion, a quarter of a century since, was here erected, dedicated to hospitality, where a priestess, in the person of an elegant and refined lady, shed an influence around that attracted to its portal the stranger from every country. In looking at a scene, now desolate and repulsive, he can 46 scarcely credit the fact, that, within that period, the same place was embellished by gardens, groves, and arbors, upon which taste was exhausted, and which cost a fortune to realize. The villa of Blennerhasset was really a beacon-light in the wilderness, that seemed created to invite the approach of the stranger to enjoy that repose which the sluggish and comfortless mode of travelling of that day, rendered so gratifying. The only sounds now heard, are the sighing of the wind through the lofty cotton wood, or the puffing of steam, as some boat rushes rapidly past the prosperous settlement of Bellepre. There was a time when music of a less melancholy character breathed upon the ear; when a master hand swept the chords, and science and taste directed the scene.
Herman Blennerhasset and his accomplished wife have sat for many a picture; but, after all, Fancy, alone, guided the pencil, and the originals have never been truly sketched. The reality of their history possesses sufficient interest, without the aid of fiction, to enlist the sympathies of the most romantic. Born to fortune, and nobly connected, Blennerhasset stood in the front rank of Irish society. Educated for the bar, he distinguished himself on many occasions, and he was the assistant counsel, with Curran, in the celebrated trial of Hamilton Rowan. But his disposition was restless, his mind visionary, and, doubtless, he felt sincerely for the degraded state of his country. Notwithstanding his close relationship to the aristocracy of Ireland, and the glaring unfitness of his character for scenes of daring and of danger, he connected himself with the leading yeomen of that day, and became the intimate associate and co-adjutor of Arthur O’Conner. He continued to labor in the cause of Liberty, until the eyes of Government were turned upon him; the result is a matter of public history: O’Conner was arrested, and Blennerhasset escaped. He had the good fortune, however, to secure a considerable portion of his property, and, accompanied by his accomplished wife, an English lady, he arrived in New York in 1796 or ’97, with what, in this country, was esteemed a large fortune.
He was, however, a visionary; he knew nothing of human nature, nothing of the practical business of life. With considerable literary acquirements, and much pretensions to science, he gave himself up to all the reveries and schemes of modern philosophy; with Southey, Godwin, and the whole class, he was continually dreaming about the perfectibility of human nature, and believed that innocence was alone to be found in that portion of humanity, which approached the nearest to the state of nature. With these notions, which he succeeded, in some measure, in imparting to his young and interesting partner, he declined establishing himself in any of our Atlantic cities, then the only places in the Union offering attractions to a foreigner of taste and fortune, and turned his attention, to the magnificent solitudes of the West. He purchased a portion of the Island in Virginia, near the mouth of the Little Kenhawa, which has been consecrated by his misfortunes, and executed those embellishments which have since become the theme of many a fanciful speech and tale.