affled, he attacked one of the foundation beams. That, at least, was real wood. The glass in the cellar windows was real glass.
He sucked his bleeding thumb and tried the base of the cellar stairs. Real wood. He chipped at the bricks under the oil burner. Real bricks. The retaining walls, the floor—they were faked.
It was as though someone had shored up the house with a frame of metal and then laboriously concealed the evidence.
The biggest surprise was the upside-down boat hull that blocked the rear half of the cellar, relic of a brief home workshop period that Burckhardt had gone through a couple of years before. From above, it looked perfectly normal. Inside, though, where there should have been thwarts and seats and lockers, there was a mere tangle of braces, rough and unfinished.
"But I built that!" Burckhardt exclaimed, forgetting his thumb. He leaned against the hull dizzily, trying to think this thing through. For reasons beyond his comprehension, someone had taken his boat and his cellar away, maybe his whole house, and replaced them with a clever mock-up of the real thing.
"That's crazy," he said to the empty cellar. He stared around in the light of the flash. He whispered, "What in the name of Heaven would anybody do that for?"
Reason refused an answer; there wasn't any reasonable answer. For long minutes, Burckhardt contemplated the uncertain picture of his own sanity.
He peered under the boat again, hoping to reassure himself that it was a mistake, just his imagination. But the sloppy, unfinished bracing was unchanged. He crawled under for a better look, feeling the rough wood incredulously. Utterly impossible!
He switched off the flashlight and started to wriggle out. But he didn't make it. In the moment between the command to his legs to move and the crawling out, he felt a sudden draining weariness flooding through him.
Consciousness went—not easily, but as though it were being taken away, and Guy Burckhardt was asleep.