Fig. 24 BACK WALL IN THE TOMBA DEI LEOPARDI
After Arch. Jahrb. 1916, pl. 9
Fig. 25 MARRIED COUPLE ON AN ETRUSCAN CINERARY URN
TOMBA DEI LEOPARDI—HUNTING LEOPARDS
New problems arise with the large symposium scene in the Tomba dei Leopardi at Corneto, which was discovered in 1875 and has now been described in an exemplary manner by Weege in the article mentioned above. The pictures are among the best preserved in the whole of Etruria, and date from about the same time as the Bighe tomb, about 500 B.C. The tomb takes its name from the two almost life-sized leopards in the pediment ([fig. 24]). They have been neatly proved by Weege to be hunting leopards. As early as the days of ancient Egypt leopards were trained for hunting purposes, and hunting leopards appear in Greek vase-paintings and Etruscan wall-paintings, for instance, in the earlier tombs such as the Tomba delle Leonesse and the Tomba del Triclinio, where the animal lies beneath a couch. In the Middle Ages the hunting leopard was still trained in the East, and is therefore depicted in the paintings of the Renaissance—for instance in the pictures of Gentile da Fabriano and Benozzo Gozzoli—as seated on the cruppers of the horses behind the Magi or their servants.[45] In modern India leopards are still trained to hunt.
TOMBA DEI LEOPARDI
Beneath the two long-bodied hunting leopards we see the main picture of the back wall ([fig. 24]) representing a symposium. On the couch to the left two youths are reclining, on each of the two others a youth and a young girl.[46] The young men are attired in mantles, the girls in chitons and mantles; all wear garlands. In their hands they hold either chaplets, drinking-bowls, or round objects usually supposed to be eggs. Similar ‘eggs’ appear in numerous Etruscan banqueting-scenes: in the Tomba del Triclinio, del Letto funebre, della Pulcella, degli Scudi, &c., and as egg-shells are frequently found in the tombs at Corneto, and eggs must therefore have been offered to the dead[47]—as the most nourishing of foods, and one which stimulates in particular the procreative force—it is not improbable that the old interpretation is the correct one. Weege supposes them to be ballot-balls used to decide who should be the master of the symposium (symposiarch), but this was usually decided by throwing dice. A third conceivable interpretation, which I think might be acceptable in certain cases where a man and a woman hand each other these round objects, is that they are rings. In Plautus’s Asinaria (778) it is spoken of as typical of two young lovers reclining on one couch at the symposium that one of them gives the other his or her ring to look at.
Beneath and above the banqueting-couch we find the previously noted laurel branches—not laurel trees as Weege calls them—the familiar adornment of the walls. The guests are served by two naked pages: one of these, who holds a jug, beckons to the other, who holds a small jug and a strainer, to make haste. How necessary it was to strain the wine is seen from the description of the elder Cato. The Latin word for cleaning the wine-jars of the grape-skins deposited by the wine is deacinare.[48]