Fig. 36. PICTURE IN THE TOMBA DELL’ ORCO AT CORNETO
Fig. 37. HADES, PERSEPHONE AND GERYON IN THE TOMBA DELL’ ORCO
In later Etruscan paintings we come upon two new groups of motives—fantastic pictures of the Underworld, and scenes from Greek mythology. Sometimes they mingle as in the Theseus and Pirithous scene and in the pictures of Hades and Persephone. Hades and Persephone recur in a painting in the third chamber of the Tomba dell’ Orco (inscription: Aita and Phersipnei), where weird mists roll about them, and a figure with three heads, Gerun, is standing before their throne ([fig. 37]). It is the Geryon of the Greeks, but he is not the cowherd on the far-distant island Erythra, but a warrior in complete armour who seems to be receiving the commands of Hades. Evidently the Etruscans have made him the servant and champion of Hades. Persephone has snakes in her hair and a curious collar which we meet again on the chitons of women in white Attic lekythoi of the fifth century B.C.[101] Hades wears the traditional wolf-helmet. It is remarkable that a head exactly similar to that of Hades is found among Michelangelo’s sketches ([fig. 38]), which seems to indicate that Michelangelo somewhere in Tuscany saw and sketched an old Etruscan tomb. To be sure, the snout of the animal reminds one of a pig’s, but the long ears and the fur are those of the wolf.
TOMBA DELL’ ORCO
