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FOOTNOTES:
[1] Jahrbuch des deutschen archäologischen Instituts, xxxi. 1916, p. 106 ff.
[2] Cities and Cemeteries, p. 119.
[3] The same is true of the second edition of Luigi Dasti’s Notizie di Tarquinia-Corneto, 1910.
[4] Cp. Fr. Poulsen, Der Orient and die frühgriechische Kunst, p. 128, where I tried to prove that the pictures of the tomb are influenced by the art and style of decoration of the island of Cyprus. Rumpf (op. cit. 50) was nearer the mark in perceiving the connexion with the decorative art of Crete and the Cyclades in the seventh century B.C. The horsemen, in particular, recall the frieze from Prinia in Crete, Bollettino d’Arte, 1908, p. 457 ff.
[5] Shields were also common mural decorations with the early Greeks, cp. Poulsen, Orient, p. 77, and Alcaeus, fragm. 15 (Bergk).
[6] See the summary account in Rumpf, op. cit. 61 ff.
[7] II, Tafel 41, and Hilfstafel 1-8.