Learning and masters are no affairs of hers. She loves a certain "far niente," and on account of delicate health her tastes are indulged. Her greatest delight is in dancing, and in the dance she is captivating. In opposition to Petrea, she has a perfect horror of all great undertakings; and in opposition to Louise, a great disinclination to sermons, be they by word of mouth or printed. The sun, the warm wind, flowers, but above all, beloved and amiable human beings, make Gabriele feel most the goodness of the Creator, and awaken her heart to worship.

She has a peculiar horror of death, and will neither hear it, nor indeed anything else dark or sorrowful, spoken of; and, happily for Gabriele, true parental love has a strong resemblance to the Midsummer sun of the North, which shines as well by night as by day.

If we turn from the bright-haired Gabriele to Sara, to "that Africa," as the Assessor called her, we go from day to night. Sara was like a beautiful dark cloud in the house—like a winter night with its bright stars, attractive, yet at the same time repulsive. To us, nevertheless, she will become clear, since we possess the key to her soul, and can observe it in the following

NOTICES FROM SARA'S JOURNAL.

"Yesterday evening Macbeth was read aloud; they all trembled before Lady Macbeth: I was silent, for she pleased me. There was power in the woman."

"Life! what is life? When the tempest journeys through space on strong free pinions, it sings to me a song which finds an echo in my soul. When the thunder rolls, when the lightning flames, then I divine something of life in its strength and greatness. But this tame every-day life—little virtues, little faults, little cares, little joys, little endeavours—this contracts and stifles my spirit. Oh, thou flame which consumest me in the silent night, what wilt thou? There are moments in which thou illuminest, but eternities in which thou tormentest and burnest me!"

"This narrow sphere satisfies them; they find interest in a thousand trifles; they are able to exert themselves in order to obtain little enjoyments for each other. Well for them! I was made for something different."

"Why should I obey? Why should I submit my inclination—my will, to gratify others?—Why? Ah, freedom—freedom!"

"I have obtained 'Volney's Ruins' from S——. I conceal the book from these pious fearful people, who tremble at shadows; but to-night!—to-night!—when their eyes are closed in sleep, mine shall wake and read it. The frontispiece to this book gives me extraordinary pleasure. A wreck combats with stormy waves; the moon goes down amid black clouds; on the shore, among the ruins of a temple, sits a Mussulman—a beautiful and thoughtful figure—and surveys the scene. I likewise observe it, and an agreeable shudder passes through me. A vast ruin is better and far more beautiful than a small and an empty happiness."

"The book pleases me. It expresses what has long lain silent in me. It gives clear light to my dark anticipations. Ah! what a day dawns upon me! A dazzling light that clears away all misty illusions, but my eyes are strong enough to bear it! Let the net of prejudice, let the miserable bond of custom be rent asunder, let the fettering supports fall! My own strength is sufficient for me."