“I know you haven’t, or rather I guessed so. And if you don’t mind, I’ll tell you why.” He sat up and a keener interest crept into his manner. “There’s a fault in those stories of yours, a bad fault, and it’s in the construction. But let’s leave that for the moment and you’ll see where all this is leading.”
He broke off as a waiter arrived with the coffee, resuming:
“Now I have a strong dramatic sense and a good working knowledge of literary construction. As I said I’ve also tried short stories, and though they’ve not been an absolute failure, I couldn’t say they’ve been really successful. On the whole, I should think, yours have done better. And I know why. It’s my style. I try to produce a tale, say, of a shipwreck. It is intended to be full of human feeling, to grip the reader’s emotion. But it doesn’t. It reads like a Board of Trade report. Dry, you understand; not interesting. Now, Mr. Cheyne,” he sat up in his chair once more, this time almost in excitement, “you see what I’m coming to. Why should we not collaborate? Let me do the plots and you clothe them. Between us we have all the essentials for success.”
He sat back and then saw the coffee.
“I say,” he exclaimed, “I’m sorry, but I didn’t notice this had come. I hope it’s not cold.” He felt the coffee pot. “What about a liquor? I’ll ring for one. Or rather,” he paused suddenly. “I think I’ve got something perhaps even better here.” He put his hand in his pocket and drew out a small flask. “Old Cognac,” he said. “You’ll try a little?”
He poured some of the golden brown liquid into Cheyne’s cup and was about to do the same into his own when he was seized with a sudden fit of choking coughing. He had to put down the flask while he quivered and shook with the paroxysm. Presently he recovered, breathless.
“Since I was wounded,” he gasped apologetically, “I’ve been taken like that. The doctors say it’s purely nervous—that my throat and lungs and so on are perfectly sound. Strange the different ways this war leaves its mark!”
He picked up the flask, poured a liberal measure of its contents into his own cup, drank off the contents with evident relish and continued:
“What I had in my mind, if you’ll consider it, was a series of short stories—say a dozen—on the merchant marine in the war. This is the spring of 1920. Soon no one will read anything connected with the war, but I think that time has scarcely come yet. I have fair knowledge of the subject and yours of course is first hand. What do you say? I will supply twelve plots or incidents and you will clothe them with, say, five thousand words each. We shall sell them to The Strand or some of those monthlies, and afterwards publish them as a collection in book form.”
“By Jove!” Cheyne said as he slowly sipped his coffee. “The idea’s rather tempting. But I wish I could feel as sure as you seem to do about my own style. I’m afraid I don’t believe that it is as good as you pretend.”