And,—perhaps the most important of all these surface-resemblances,—there is Catherine’s apparent freedom from all emotion at the deaths of her brothers and sister, and her extraordinary dependence upon, and claimfulness towards, her Confessor alone. “These patients rapidly lose the social feelings: Berthe, who for some time preserved some affection for her brother, ends by losing all interest in him; Marcelle, at the very beginning of her illness, separates herself from every one.” “It is always their own personality which dominates their thoughts.” Yet these patients have “an extraordinary attachment to their physician. For him they are resolved to do all things. In return, they are extremely exacting,—he is to occupy himself entirely with each one alone. Only a very superficial observer would ascribe this feeling to a vulgar source.”[33]

3. Catherine’s personality not disintegrated.

But a third group of facts clearly differentiates Catherine’s case, even in these years of avowed ill-health, from such patients; and these facts become clearer and more numerous in precise proportion as we move away from peripheral, psycho-physical phenomena and mechanisms, and dwell upon her practically unbroken mental and moral characteristics, and upon the use and meaning, the place and context of these things within her ample life.

For as to her relations with her attendants, even now it is still she who leads, who suggests, who influences; a strong and self-consistent will shows itself still, under all this shifting psycho-physical surface. Thus Don Marabotto now administers, it is true, all her money and charitable affairs for her. But it is she who insists, alone and unaided, upon the true spiritual function of that impression of odour on his hand.—Vernazza, no doubt, has now to help her in the fight against subtle scruples, on occasion of her deepest depressions. But her far more frequent times of light and joy are in nowise occasions of a simply subjective self-engrossment or of a purely psycho-physical interest, for her mind is absorbed if in but a few, yet in inexhaustibly fruitful and universally applicable ideas and experiences of a spiritual kind, such as helped to urge this friend on to his world-renewing impulses and determinations.—Her closest relations and friends, one must admit, succeed by their action, taken eighteen months and then again two days before her death, in getting her to desist from ordering her burial by the side of her husband. But we have seen, in the one case, how indirectly, and, in the other case, how suddenly and even then quite informally, they had to gain their point.—Her attendants in general, and Marabotto in particular, certainly paid her an engrossed attention, and the all but endlessness of her superficial fancies and requirements have been chronicled by them with a naïve and wearisome fulness. But then she herself is well aware that, had they but the requisite knowledge as to how and when to apply them, some sturdy opposition and a greater roughness of handling would, on their part, be of the greatest use to her, in this her psychical infirmity; indeed her shutting herself away from Marabotto, as late as January 1510, is directly caused by her sense and fear of being spoilt by him.

It is true again that, already in 1502, we hear, in a probably exaggerated but still possibly semi-authentic account, of her indifference of feeling with regard to the deaths of two brothers and of her only sister; and that, from January 1510 onwards, she gradually excludes all her attendants from her sick-room, with, eventually, the sole exceptions of Marabotto or Carenzio and Argentina. But her Wills show conclusively how persistent were her detailed interest in, and dispositions for, the requirements of her surviving brother, nephews, and nieces; of poor Thobia and the girl’s hidden mother; of her priest-attendants, and of each and all of her humblest domestics; of the natives in the far-away Greek Island of Scios; and, above all, of the Hospital and its great work which she had ever loved so well.

We have indeed found two cases, both from within the last week of her life, of mentally opaque and spiritually unsuggestive and unutilized impressions which are truly analogous to those characteristic of hysteria. But we have also seen how forcibly these two solitary cases bring out, by contrast, the spiritual transparency and fruitfulness of her usual, finely reflective picturings of these last years. For here it is her own deliberate and spiritual mind which joyously greets, and straightway utilizes and transcends, the psycho-physical occurrences; and it does so, not because these occurrences are, or are taken to be, the causes or requisites or objects of her faith and spiritual insight, but because, on the contrary, they meet and clothe an already exuberant faith and insight—spiritual certainties derived from quite another source.

And finally, if the monotony and superficial pettiness of the sick-room can easily pall upon us, especially when presented with the credulities and hectic exaggerations which disfigure so much of the Vita’s description of it; we must, in justice, as I have attempted to do in my seventh and eighth chapters, count in, as part of her biography, her deep affection for and persistent influence with Ettore and Battista Vernazza, and the exemplification of her doctrine by these virile souls, makers of history in the wide, varied world of men.[34]

In a word, it is plain at once that, given the necessarily limited number of ways in which the psycho-physical organism reacts under mental stimulations, certain neural phenomena may, in any two cases, be, in themselves, perfectly similar, although their respective mental causes or occasions may be as different, each from the other, as the Moonlight Sonata of Beethoven, or the working out of the Law of Gravitation by Newton, or the elaboration of the implications of the Categorical Imperative by Kant, are different from the sudden jumping of a live mouse in the face of an hysterically-disposed young woman, or as the various causes of tears and laughter throughout the whole world.

IV. First Period of Catherine’s Life, 1447 to 1477, in its Three Stages.