Language is an image, a representation of our separate (subject) world, and becomes manifest to the (object) world outside ourselves principally through combined and ordered sounds. If, therefore, I would image forth anything correctly, I must know the real nature of the original object. The theme of our imagery and representation, the outside world, contains objects, therefore I must have a definite form, a definite succession of sounds, a definite word to express each object. The objects have qualities, therefore our language must contain adjectives expressing these qualities. The qualities of objects are fundamental or relative; express what they are, what they possess, and what they become.

Passing now to singing and music, it happened very luckily for me that just at this time Nägeli and Pfeifer brought out their "Treatise on the Construction of a Musical Course according to the Principles of Pestalozzi." Nägeli's knowledge of music generally, and especially of church music, made a powerful impression upon me, and brought music and singing before me as a means for human culture; setting the cultivation of music, and especially of singing, in a higher light than I had ever conceived possible. Nägeli was very capable in teaching music and singing, and in representing their function as inspiring aids to pure human life; and although nearly twenty years have elapsed since I heard those lessons of his, the fire of the love for music which they kindled burns yet, active for good, within my breast. And further, I was taught and convinced by these two super-excellent music teachers, who instructed my pupils, that purely instrumental music, such as that of the violin or of the pianoforte, is also in its essence based upon and derived from vocal music, though developed through the independent discovery of a few simple sound-producing instruments. Not only have I never since left the path thus opened to me at its origin, but I have consistently traced it onwards in all care and love, and continue to rejoice in the excellent results obtained. This course of music-teaching, as extended and applied later on, has always enjoyed the approbation of the thoughtful and experienced amongst music teachers.

I also studied the boys' play, the whole series of games in the open air, and learned to recognise their mighty power to awake and to strengthen the intelligence and the soul as well as the body. In these games and what was connected with them I detected the mainspring of the moral strength which animated the pupils and the young people in the institution. The games, as I am now fervently assured, formed a mental bath of extraordinary strengthening-power;[71] and although the sense of the higher symbolic meaning of games had not yet dawned upon me, I was nevertheless able to perceive in each boy genuinely at play a moral strength governing both mind and body which won my highest esteem.

Closely akin to the games in their morally strengthening aspect were the walks, especially those of the general walking parties, more particularly when conducted by Pestalozzi himself. These walks were by no means always meant to be opportunities for drawing close to Nature, but Nature herself, though unsought, always drew the walkers close to her. Every contact with her elevates, strengthens, purifies. It is from this cause that Nature, like noble great-souled men, wins us to her; and whenever school or teaching duties gave me respite, my life at this time was always passed amidst natural scenes and in communion with Nature. From the tops of the high mountains near by I used to rejoice in the clear and still sunset, in the pine-forests, the glaciers, the mountain meadows, all bathed in rosy light. Such an evening walk came indeed to be an almost irresistible necessity to me after each actively-spent day. As I wandered on the sunlit, far-stretching hills, or along the still shore of the lake, clear as crystal, smooth as a mirror, or in the shady groves, under the tall forest trees, my spirit grew full with ideas of the truly god-like nature and priceless value of a man's soul, and I gladdened myself with the consideration of mankind as the beloved children of God. There is no question but that Pestalozzi's general addresses, especially those delivered in the evening, when he used to delight in evoking a picture of noble manliness and true love of mankind and developing it in all its details, very powerfully contributed towards arousing such an inner life as that just described.

Yet I did not lose myself in empty fancies; on the contrary, I kept my practical work constantly before my eyes. From thinking about my dead parents my thoughts would wander back over the rest of my family, turning most often to that dear eldest brother of mine, who has now not been referred to for some time in these pages. He had become the faithful watchful father of several children. I shared in his unaffected fatherly cares, and my soul was penetrated with the desire that he might be able to give his sons such an education as I should feel obliged to point out to him as being the best. Already, ever since I was at Frankfurt, I had communicated to him my thoughts on education and methods of teaching. What now occurred to me out of my new knowledge as applicable to his case, I extracted, collected together, and classified, so as to be able to impart it to him for his use at the first opportunity.

One thing which greatly contributed to the better consideration and elucidation of the Pestalozzian mode of teaching was the presence of a large number of young men sent from various governments as students to Yverdon. With some of these I was on terms of intimacy, and to the exchange of ideas which went on amongst us I owe at least as much as to my own observation.

On the whole I passed a glorious time at Yverdon, elevated in tone, and critically decisive for my after life. At its close, however, I felt more clearly than ever the deficiency of inner unity and interdependence, as well as of outward comprehensiveness and thoroughness in the teaching there.

To obtain the means of a satisfactory judgment upon the best method of teaching the classical tongues, I took Greek and Latin under a young German, who was staying there at that time; but I was constructing a method of my own all the while, by observing all the points which seemed valuable, as they occurred in actual teaching. But the want of a satisfactory presentation of the classical tongues as part of the general means of education and culture of mankind, especially when added to the want of a consideration of natural history as a comprehensive and necessary means of education, and above all the uncertain wavering of the ground-principles on which the whole education and teaching rested at Yverdon, decided me not only to take my pupils back to their parents' house, but to abandon altogether my present educational work, in order to equip myself, by renewed study at some German university, with that due knowledge of natural science which now seemed to me quite indispensable for an educator.

In the year 1810 I returned from Yverdon by Bern, Schaffhausen, and Stuttgart to Frankfurt.

I should have prepared to go to the university at once, but found myself obliged to remain at my post till the July of the following year. The piece-meal condition of the methods of teaching and of education which surrounded me hung heavy on my mind, so that I was extremely glad when at last I was able to shake myself free from my position.