| Fig. 26. |
Parts may cross occasionally, but should return immediately [[Fig. 27.]]
| Fig. 27. |
Consecutive fifths or octaves on consecutive strong beats are bad; but they are good on the weak beats if the second fifth or octave is approached in the opposite direction from the first. [[Fig. 28.]]
| Fig. 28. |
In minor the sixth degree may occasionally be raised on the strong beat, if it is desired to proceed upward to the raised seventh degree. [[Fig. 29.]]
| Fig. 29. |
In the last measure but one, both the supertonic and leading tone should appear. [[Fig. 30.]]
| Fig. 30. |
Three notes may be written to one of the cantus firmus, as in [Fig. 31.] For this no new rules are required.