In this and in succeeding lessons set the cantus firmus in any part, and transpose if necessary.

EXERCISES

To cantus firmus b write two counterpoints above and two below.

To cantus firmus a write one above and one below, with both parts resting at the hold. Also do the same with the counterpoint continuing at the hold. [[Fig. 155a], b.]

Canti Firmi

Fig.
157.

LESSON XXXIV

FREE HARMONIZATION IN THREE-PART COUNTERPOINT

When writing in three or more parts, it is well to let a part rest occasionally, and, when it reënters, have it imitate one of the other parts. [[Fig. 158.]]

Fig.
158.