“Hear me further. It was a lady. Surely, till that moment, I have never seen her sex in its full perfection! All around was sombre; the setting sun shone through a single window into the chapel, and its rays rested upon her figure. With inexpressible grace, half kneeling, half lying, she was stretched before an altar; one of the most striking, most lovely, and picturesque objects in all nature. Her dress was of black moreen, fitting tightly to her slender waist and beautifully-formed arms, the skirts spreading around her like a Spanish robe; her long light-colored hair was divided into two broad plaits, which, apparently from their own weight, had escaped from under her veil, and flowed in charming disorder down her back. One of her hands grasped the crucifix, and her head rested gracefully upon the other. But, where shall I find words to describe to you the angelic beauty of her countenance, in which the charms of a seraph seemed displayed. The setting sun shone full upon her face, and its golden beams seemed to surround it as with a glory. Can you recall to your mind the Madonna of our Florentine painter? She was here personified, even to those few deviations from the studied costume which so powerfully, so irresistibly attracted me in the picture.”
With regard to the Madonna, of whom the prince spoke, the case is this: Shortly after your departure he made the acquaintance of a Florentine painter, who had been summoned to Venice to paint an altar-piece for some church, the name of which I do not recollect. He had brought with him three paintings, which had been intended for the gallery in the Cornari palace. They consisted of a Madonna, a Heloise, and a Venus, very lightly apparelled. All three were of great beauty; and, although the subjects were quite different, they were so intrinsically equal that it seemed almost impossible to determine which to prefer. The prince alone did not hesitate for a moment. As soon as the pictures were placed before him the Madonna absorbed his whole attention; in the two others he admired the painter’s genius; but in this he forgot the artist and his art, his whole soul being absorbed in the contemplation of the work. He was quite moved, and could scarcely tear himself away from it. We could easily see by the artist’s countenance that in his heart he coincided with the prince’s judgment; he obstinately refused to separate the pictures, and demanded fifteen hundred zechins for the three. The prince offered him half that sum for the Madonna alone, but in vain. The artist insisted on his first demand, and who knows what might have been the result if a ready purchaser had not stepped forward.
Two hours afterwards all three pictures were sold, and we never saw them again. It was this Madonna which now recurred to the prince’s mind.
“I stood,” continued he, “gazing at her in silent admiration. She did not observe me; my arrival did not disturb her, so completely was she absorbed in her devotion. She prayed to her Deity, and I prayed to her —yes, I adored her! All the pictures of saints, all the altars and the burning tapers around me had failed to remind me of what now for the first time burst upon me, that I was in a sacred place. Shall I confess it to you? In that moment I believed firmly in Him whose image was clasped in her beautiful hand. I read in her eyes that he answered her prayers. Thanks be to her charming devotion, it had revealed him to me. I wandered with her through all the paradise of prayer.
“She rose, and I recollected myself. I stepped aside confused; but the noise I made in moving discovered me. I thought that the unexpected presence of a man might alarm, that my boldness would offend her; but neither of these feelings were expressed in the look with which she regarded me. Peace, benign peace, was portrayed in her countenance, and a cheerful smile played upon her lips. She was descending from her heaven; and I was the first happy mortal who met her benevolent look. Her mind was still wrapt in her concluding prayer; she had not yet come in contact with earth.
“I now heard something stir in the opposite corner of the chapel. It was an elderly lady, who rose from a cushion close behind me. Till now I had not observed her. She had been distant only a few steps from me. and must have seen my every motion. This confused me. I cast my eyes to the earth, and both the ladies passed by me.”
On this last point I thought myself able to console the prince.
“Strange,” continued he, after a long silence, “that there should be something which one has never known—never missed; and that yet on a sudden one should seem to live and breathe for that alone. Can one single moment so completely metamorphose a human being? It would now be as impossible for me to indulge in the wishes or enjoy the pleasures of yesterday as it would be to return to the toys of my childhood, and all this since I have seen this object which lives and rules in the inmost recesses of my soul. It seems to say that I can love nothing else, and that nothing else in this world can produce an impression on me.”
“But consider, gracious prince,” said I, “the excitable mood you were in when this apparition surprised you, and how all the circumstances conspired to inflame your imagination. Quitting the dazzling light of day and the busy throng of men, you were suddenly surrounded by twilight and repose. You confess that you had quite given yourself up to those solemn emotions which the majesty of the place was calculated to awaken; the contemplation of fine works of art had rendered you more susceptible to the impressions of beauty in any form. You supposed yourself alone— when you saw a maiden who, I will readily allow, may have been very beautiful, and whose charms were heightened by a favorable illumination of the setting sun, a graceful attitude, and an expression of fervent devotion—what is more natural than that your vivid fancy should look upon such a form as something supernaturally perfect?”
“Can the imagination give what it never received?” replied he. “In the whole range of my fancy there is nothing which I can compare with that image. It is impressed on my mind distinctly and vividly as in the moment when I beheld it. I can think of nothing but that picture; but you might offer me whole worlds for it in vain.”