Alive, as the wind-harp, how lightly soever
If wooed by the zephyr, to music will quiver,
Is woman to hope and to fear;
All, tender one! still at the shadow of grieving,
How quiver the chords—how thy bosom is heaving—
How trembles thy glance through the tear!
Man's dominion, war and labor;
Might to right the statue gave;
Laws are in the Scythian's sabre;
Where the Mede reigned—see the slave!
Peace and meekness grimly routing,
Prowls the war-lust, rude and wild;
Eris rages, hoarsely shouting,
Where the vanished graces smiled.
But woman, the soft one, persuasively prayeth—
Of the life [48] that she charmeth, the sceptre she swayeth;
She lulls, as she looks from above,
The discord whose bell for its victims is gaping,
And blending awhile the forever escaping,
Whispers hate to the image of love!
HOPE.
We speak with the lip, and we dream in the soul,
Of some better and fairer day;
And our days, the meanwhile, to that golden goal
Are gliding and sliding away.
Now the world becomes old, now again it is young,
But "The better" 's forever the word on the tongue.
At the threshold of life hope leads us in—
Hope plays round the mirthful boy;
Though the best of its charms may with youth begin,
Yet for age it reserves its toy.
THE GERMAN ART.
By no kind Augustus reared,
To no Medici endeared,
German art arose;
Fostering glory smiled not on her,
Ne'er with kingly smiles to sun her,
Did her blooms unclose.
No,—she went by monarchs slighted
Went unhonored, unrequited,
From high Frederick's throne;
Praise and pride be all the greater,
That man's genius did create her,
From man's worth alone.
Therefore, all from loftier mountains,
Purer wells and richer fountains,
Streams our poet-art;
So no rule to curb its rushing—
All the fuller flows it gushing
From its deep—the heart!