AMELIA. Adored, you mean.

CHARLES. Ha!

AMELIA. Oh, you would so have loved him?—-there was so much, so much in his face—in his eyes—in the tone of his voice,—which was so like yours—that I love so dearly! (CHARLES casts his eyes down to the ground.) Here, where you are standing, he has stood a thousand times— and by his side, one who, by his side, forgot heaven and earth. Here his eyes feasted on nature's most glorious panorama,—which, as if conscious of his approving glance, seemed to increase in beauty under the approbation of her masterpiece. Here he held the audience of the air captive with his heavenly music. Here, from this bush, he plucked roses, and plucked those roses for me. Here, here, he lay on my neck; here he imprinted burning kisses on my lips, and the flowers hung their heads with pleasure beneath the foot-tread of the lovers.*

*[In the acting edition the scene changes materially at this point, and the most sentimental part of the whole drama is transformed into the most voluptuous. The stage direction here is,—(They give way to their transports without control, and mingle their kisses. MOOR hangs in ecstacy on her lips, while she sinks half delirious on the couch.) O Charles! now avenge thyself; my vow is broken.

MOOR (tearing himself away from her, as if in frenzy). Can this be hell that still pursues me! (Gazing on her.) I felt so happy!

AMELIA (perceiving the ring upon her finger, starts up from the couch). What! Art thou still there—on that guilty hand? Witness of my perjury. Away with thee! (She pulls the ring from her finger and gives it to CHARLES.) Take it—take it, beloved seducer! and with it what I hold most sacred—take my all—my Charles! (She falls back upon the couch.)

MOOR (changes color). O thou Most High! was this thy almighty will? It is the very ring I gave her in pledge of our mutual faith. Hell be the grave of love! She has returned my ring.

AMELIA (terrified). Heavens! What is the matter? Your eyes roll wildly, and your lips are pale as death! Ah! woe is me. And are the pleasures of thy crime so soon forgotten?

MOOR (suppressing his emotion). 'Tis nothing! Nothing! (Raising his eyes to heaven.) I am still a man! (He takes of his own ring and puts it on AMELIA'S finger.) In return take this! sweet fury of my heart! And with it what I hold most sacred—take my all—my Amelia!

AMELIA (starting up). Your Amelia!