The world is empty, the heart is dead surely,
In this world plainly all seemeth amiss;
To thy heaven, Holy One, take home thy little one.
I have partaken of all earth's bliss,
Both living and loving.
[13] There are few who will not have taste enough to laugh at the
two concluding lines of this soliloquy: and still fewer, I would
fain hope, who would not have been more disposed to shudder, had I
given a faithful translation. For the readers of German I have
added the original:—
Blind-wuethend schleudert selbst der Gott der Freude
Den Pechkranz in das brennende Gebaeude.
THE DEATH OF WALLENSTEIN.
Translated by S. T. Coleridge.
DRAMATIS PERSONAE.
WALLENSTEIN, Duke of Friedland, Generalissimo of the Imperial Forces in
the Thirty Years' War.
DUCHESS OF FREIDLAND, Wife of Wallenstein.
THEKLA, her Daughter, Princess of Friedland.
THE COUNTESS TERZKY, Sister of the Duchess.
LADY NEUBRUNN.
OCTAVIO PICCOLOMINI, Lieutenant-General.
MAX. PICCOLOMINI, his Son, Colonel of a Regiment of Cuirassiers.
COUNT TERZKY, the Commander of several Regiments, and
Brother-in-law of Wallenstein.
ILLO, Field-Marshal, Wallenstein's Confidant.
ISOLANI, General of the Croats.
BUTLER, an Irishman, Commander of a Regiment of Dragoons.
GORDON, Governor of Egra.
MAJOR GERALDIN.
CAPTAIN DEVEREUX.
CAPTAIN MACDONALD.
AN ADJUTANT.
NEUMANN, Captain of Cavalry, Aide-de-Camp to TERZKY.
COLONEL WRANGEL, Envoy from the Swedes.
ROSENBURG, Master of Horse.
SWEDISH CAPTAIN.
SENI.
BURGOMASTER of Egra.
ANSPESSADE of the Cuirassiers.
GROOM OF THE CHAMBER. | Belonging
A PAGE. | to the Duke.
Cuirassiers, Dragoons, and Servants.
ACT I.
SCENE I.
A room fitted up for astrological labors, and provided with celestial charts, with globes, telescopes, quadrants, and other mathematical instruments. Seven colossal figures, representing the planets, each with a transparent star of different color on its head, stand in a semicircle in the background, so that Mars and Saturn are nearest the eye. The remainder of the scene and its disposition is given in the fourth scene of the second act. There must be a curtain over the figures, which may be dropped and conceal them on occasions.