This was happiness, was it, that she now desired nothing better than death, swift death, to escape from the torments that tore her heart to pieces?
Did he divine nothing of these torments! Why had he not come to her last night? He might surely have spared her a minute--he had given the Princess a full hour. It was, perhaps, a relief, a sort of recreation, for him, seeing he had so long had to dispense with any intellectual conversation. Was she perchance the beautiful widow in the novelette who consoled the uncle for the loss of Hilarie? And had Hilarie already got to the point of wishing and longing for such consolation for her uncle?
Her shamefaced gaze wandered up to Bertram's windows, under which she had arrived--not quite unintentionally. What if he were to appear above--signalling: "Wait, I am coming down!"
Like a startled fawn she flitted away to one of the terrace-walks, behind whose protecting wall she could not be seen from those windows of his, and burst into tears, as she became conscious of her cowardice. Lydia appeared at the opposite entrance; she could not avoid Lydia now; she bent toward the espalier, to dry her eyes unobserved, and lo! there was Lydia at her side, at her feet, clasping Erna's knees, pressing her face against Erna's robe, sobbing.
It was a theatrical display, such as Lydia employed on all possible occasions, suitable or otherwise; Erna knew that well enough. But she had not the courage to tear herself away; never a harsh or ironical expression came forth from her to-day; nay, she all but envied a human being that found such expression for its feelings, whatever they might be. She endeavoured to raise the kneeling lady.
"I must remain on my knees until you have pardoned me," murmured Lydia.
"I'll do anything you wish--but rise, rise, I entreat you!"
She had drawn Lydia up and away into a niche in the wall, thus gaining at least some shelter from the eyes of the servants, many of whom were still busy everywhere up and down the terraces with the preparations for the illumination. There was a stone bench with a stone table in front inside the niche. Lydia sank down upon the bench, laid her face, covered by her hands, against the edge of the table, and murmured her miserable confession of guilt in a voice which was scarcely audible, owing to her constant weeping and sobbing. She had, she whined out, found out by questioning the servants that the letter had not been sent, which Erna had on the morning in question written beneath the plantain tree, and which, she assumed, was certainly addressed to Agatha; and she had, moreover, learned from Agatha--who evidently suspected nothing--that she had received no letter just before her departure from home. Then, passing through Erna's rooms, she had seen her blotting-book lying about, unlocked, as she had been astonished to notice. Then she had been unable to resist the temptation of trying if the letter was still there. The letter had been there--a sort of dizziness had come over her, and--
"I said to myself," she went on, "that you have no secrets from Agatha, that you were likely to have written to her what you felt towards Bertram, whether you loved him--I required to know it--my future, my happiness, my salvation--all, all depended upon that one question. Have pity on a poor wretched woman whom jealousy made a criminal--against her own child, too! for I have ever loved you as my own child, ever, and would gladly have sacrificed all for you, all, only not this--the trial was too much for my strength."
Then Lydia in her self-abasement and grief wept bitterly. Again Erna felt it strange that she did not spring up from her place beside the weeping old woman, did not leave her alone with her silliness and her lies; that she could listen to her exaggerated and sentimental twaddle without positive disgust. There was something stirring within her that she was frightened at herself--something almost like a wish that, this time, Lydia might not be lying.