Reinhold stared with astonishment, his heart was still beating and his mind still full of what he had seen and heard. The clang of the bell had frightened Aunt Rikchen out of the house, where he had just led her back only half quieted; the servants had run and stood in the distance, staring anxiously; blind Cilli had come into the doorway and had said a few kind words to him as he passed by; and here, fifty yards off, his own daughter had heard nothing!
"Do you artists live in a world of your own?" he asked in astonishment, and then he explained what had happened. "I am afraid," he added, "that half the manufactory will have to be closed. My uncle will suffer immense loss, for he has heavy contracts to fulfil, so the men told me before. Heaven only knows how it will all end!"
"What will it signify to my father?" answered Ferdinanda, as a bitter smile played about her lips. "The world may come to an end if only he can have his own way! You do not know my father quite yet," she continued more quietly. "We, unhappily, are accustomed to this sort of thing; all we know is that we live over a volcano. If we left off work every time there was a storm we should have no peace, and should never finish anything."
She had taken off her great apron. Reinhold was standing looking at her work.
"How do you like it?" asked Ferdinanda.
"It is beautiful," answered Reinhold, with sincere admiration; "but I could wish it were less beautiful if it might be less sad. The expression of the mouth, the look of the eyes as they are shaded by the head--the whole effect of the otherwise lovely face seems to me not quite in keeping with the peaceful and rural occupation suggested by the sickle and wheatsheaf. As I came in I fancied a maiden looking out for her lover. She is looking out for him, but woe to him when he comes! He had better be careful of the sickle! Am I right?"
"Perfectly," answered Ferdinanda. "And now I am more glad than ever that I am going with you to the Exhibition. It must be a pleasure to look at the work of real artists with any one who can so closely criticise the work of an amateur."
She was standing at the end of the room, and let the water from a tap in the wall run over her hands into a washhand-basin. "Excuse me," said she, "but that is what we are obliged to do here. Now tell me how you slept."
"Perfectly as soon as I got to sleep. I was a little excited at first."
"So was I. I had to walk for a long time in the garden before I could calm myself. May I confess? I was so ashamed of my father's losing his temper before you, as you could not know what he was like in such matters, and that he can work himself up into a perfect fury over a mere nothing. Luckily, he only fights these battles in imagination; and, for example, if the son of the man whose very name--heaven only knows why--puts him into such a state, if Herr von Werben were to pay you a visit, and my father met him, he would be courtesy itself. I tell you that because I presume you will not be able to avoid some intercourse with the Werbens, and might think the situation more serious than it really is. Indeed, I am convinced that if I had not, in my extreme nervousness, cut short the introduction yesterday at the station, and my father could have seen that Herr von Werben is a man very much like other men, that scene never would have occurred. But one can't think of everything."