"I think we are in the way here," said Reinhold, and led Justus, who was still overpowered with astonishment, into the hall.
"Now can you explain this to me?" exclaimed Justus.
"I had hoped to get some explanation from you," answered Reinhold. "I only know that my uncle hates the General, has done so since '48, so I suppose something must have happened between them then."
"By-the-way, yes. Now I recollect," cried Justus; "Aunt Rikchen did once tell me about it, but I had quite forgotten it; and even if I had not, how could I know that the old madman would get into such a state about it? Shall I come up with you?"
"Thanks, I can find my way. And you?"
"I live at the back here over my studio. You must come and pay me a visit to-morrow, and we will talk further over this wonderful business. Do you stay long?"
"I had meant to, but after this scene----"
"Oh, you must not think too much about that; I know him well. To-morrow there will not be a trace of it. He is a capital old fellow through it all. Felicissima notte! a rivederci!"
Reinhold easily found his way to his room through the well-lighted stairs and passages. The candles stood on the table, but he did not light them, the crescent moon gave light enough, and a warm breeze came in at the open window, by which he stood in deep thought.
"What a pity," he murmured; "I should have liked to cast anchor here for some time, and might have got on with the old gentleman. He seemed to me rather queer, and sometimes lets go the rudder, but it is not a very uncommon thing, and perhaps it will all pass over by to-morrow. I could soon learn his ways. He drank at least three bottles, and his eyes were bloodshot and wild before he flew out in that way. I am afraid it is rather a family failing; our old sailor grandfather--but it is not the worst of faults, and we Schmidts cannot be expected to have the aristocratic manners of the Werbens. Ferdinanda is unquestionably very handsome; the sculptor was right: 'the prettiest girl in the town!' And yet, the noble carriage, the inexpressible grace of movement, the beautiful look of the eyes, the ever-changing and always sweet expression of the features--she cannot be compared with Elsa, and indeed who could? Then she has not spoken three words. Is there nothing behind that beautiful forehead? Is that gloomy silence only a cloak whose 'classic folds' she has borrowed perhaps of her master to conceal her insignificance? I had pictured to myself something quite different when first I saw her. There was some life about her when she cut short that introduction at the railway station, and hurried me away. Certainly since then I have discovered why it was painful for her. Capulets and Montagues, only divided by a garden wall. What was that?"