Not Concealing One's Virtues.—I love those men who are as transparent as water, and who, to use Pope's expression, hide not from view the turbid bottom of their stream. Even they, however, possess a certain vanity, though of a rare and more sublimated kind: some of them would wish us to see nothing but the mud, and to take no notice of the clearness of the water which enables us to look right to the bottom. No less a man than [pg 388] Gautama Buddha has imagined the vanity of these few in the formula, “Let your sins appear before men, and conceal your virtues.” But this would exhibit a disagreeable spectacle to the world—it would be a sin against good taste.

559.

"Nothing in Excess!"—How often is the individual recommended to set up a goal which it is beyond his power to reach, in order that he may at least attain that which lies within the scope of his abilities and most strenuous efforts! Is it really so desirable, however, that he should do so? Do not the best men who try to act according to this doctrine, together with their best deeds, necessarily assume a somewhat exaggerated and distorted appearance on account of their excessive tension? and in the future will not a grey mist of failure envelop the world, owing to the fact that we may see everywhere struggling athletes and tremendous gestures, but nowhere a conqueror crowned with the laurel, and rejoicing in his victory?

560.

What we are Free to do.—We can act as the gardeners of our impulses, and—which few people know—we may cultivate the seeds of anger, pity, vanity, or excessive brooding, and make these things fecund and productive, just as we can train a beautiful plant to grow along trellis-work. We may do this with the good or bad taste of a [pg 389] gardener, and as it were, in the French, English, Dutch, or Chinese style. We may let nature take its own course, only trimming and embellishing a little here and there; and finally, without any knowledge or consideration, we may even allow the plants to spring up in accordance with their own natural growth and limitations, and fight out their battle among themselves,—nay, we can even take delight in such chaos, though we may possibly have a hard time with it! All this is at our option: but how many know that it is? Do not the majority of people believe in themselves as complete and perfect facts? and have not the great philosophers set their seal on this prejudice through their doctrine of the unchangeability of character?

561.

Letting our Happiness also Shine.—In the same way as painters are unable to reproduce the deep brilliant hue of the natural sky, and are compelled to use all the colours they require for their landscapes a few shades deeper than nature has made them—just as they, by means of this trick, succeed in approaching the brilliancy and harmony of nature's own hues, so also must poets and philosophers, for whom the luminous rays of happiness are inaccessible, endeavour to find an expedient. By picturing all things a shade or two darker than they really are, their light, in which they excel, will produce almost exactly the same effect as the sunlight, and will resemble the light of true happiness.—The pessimist, on the other hand, who paints [pg 390] all things in the blackest and most sombre hues, only makes use of bright flames, lightning, celestial glories, and everything that possesses a glaring, dazzling power, and bewilders our eyes: to him light only serves the purpose of increasing the horror, and of making us look upon things as being more dreadful than they really are.

562.

The Settled and the Free.—It is only in the Underworld that we catch a glimpse of that gloomy background of all that bliss of adventure which forms an everlasting halo around Ulysses and his like, rivalling the eternal phosphorescence of the sea,—that background which we can never forget: the mother of Ulysses died of grief and yearning for her child. The one is driven on from place to place, and the heart of the other, the tender stay-at-home friend, breaks through it—so it always is. Affliction breaks the hearts of those who live to see that those whom they love best are deserting their former views and faith,—it is a tragedy brought about by the free spirits,—a tragedy which, indeed, occasionally comes to their own knowledge. Then, perhaps, they too, like Ulysses, will be forced to descend among the dead to get rid of their sorrow and to relieve their affliction.

563.