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Tragedy and Music.—Men of essentially warlike disposition, such, for example, as the ancient Greeks in the time of Æschylus, are difficult to rouse, and when pity once triumphs over their hardness they are seized as by a kind of giddiness or a “demoniacal power,”—they feel themselves overpowered and thrilled by a religious horror. After this they become sceptical about their condition; but as long as they are in it they enjoy the charm of being, as it were, outside themselves, and the delight of the marvellous mixed with the bitterest gall of suffering: this is the proper kind of drink for fighting men,—something rare, dangerous, and bitter-sweet, which does not often fall to one's lot.

Tragedy appeals to souls who feel pity in this way, to those fierce and warlike souls which are difficult to overcome, whether by fear or pity, but which lose nothing by being softened from time to time. Of what use, however, is tragedy to those who are as open to the “sympathetic affections” as the sails of a ship to the wind! When at the time of Plato the Athenians had become more [pg 176] softened and sensitive, oh, how far they were still removed from the gushing emotions of the inhabitants of our modern towns and villages! And yet even then the philosophers were beginning to complain of the injurious nature of tragedy. An epoch full of danger such as that now beginning, in which bravery and manliness are rising in value, will perhaps again harden souls to such an extent that they will once more stand in need of tragic poets: but in the meantime these are somewhat superfluous, to put it mildly. For music, too, a better age may be approaching (it will certainly be a more evil age!) when artists will have to make their music appeal to strongly individual beings, beings which will have become hard and which will be dominated by the gloomy earnestness of their own passion; but of what use is music to the little souls of the present age which is fast passing away, souls that are too unsteady, ill-developed, half-personal, inquisitive, and covetous of everything?

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The Flatterers of Work.—In the glorification of “work” and the never-ceasing talk about the “blessing of labour,” I see the same secret arrière-pensée as I do in the praise bestowed on impersonal acts of a general interest, viz. a fear of everything individual. For at the sight of work—that is to say, severe toil from morning till night—we have the feeling that it is the best police, viz. that it holds every one in check and effectively hinders the development of reason, of greed, and of desire for [pg 177] independence. For work uses up an extraordinary proportion of nervous force, withdrawing it from reflection, meditation, dreams, cares, love, and hatred; it dangles unimportant aims before the eyes of the worker and affords easy and regular gratification. Thus it happens that a society where work is continually being performed will enjoy greater security, and it is security which is now venerated as the supreme deity.—And now, horror of horrors! it is the “workman” himself who has become dangerous; the whole world is swarming with “dangerous individuals,” and behind them follows the danger of dangers—the individuum!

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The Moral Fashion of a Commercial Community.—Behind the principle of the present moral fashion: “Moral actions are actions performed out of sympathy for others,” I see the social instinct of fear, which thus assumes an intellectual disguise: this instinct sets forth as its supreme, most important, and most immediate principle that life shall be relieved of all the dangerous characteristics which it possessed in former times, and that every one must help with all his strength towards the attainment of this end. It is for that reason that only those actions which keep in view the general security and the feeling of security of society are called “good.” How little joy must men now have in themselves when such a tyranny of fear prescribes their supreme moral law, if they make no objection when commanded to turn their eyes [pg 178] from themselves and to look aside from themselves! And yet at the same time they have lynx eyes for all distress and suffering elsewhere! Are we not, then, with this gigantic intention of ours of smoothing down every sharp edge and corner in life, utilising the best means of turning mankind into sand! Small, soft, round, infinite sand! Is that your ideal, ye harbingers of the “sympathetic affections”? In the meantime even the question remains unanswered whether we are of more use to our neighbour in running immediately and continually to his help,—which for the most part can only be done in a very superficial way, as otherwise it would become a tyrannical meddling and changing,—or by transforming ourselves into something which our neighbour can look upon with pleasure,—something, for example, which may be compared to a beautiful, quiet, and secluded garden, protected by high walls against storms and the dust of the roads, but likewise with a hospitable gate.

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Fundamental Basis of a Culture of Traders.—We have now an opportunity of watching the manifold growth of the culture of a society of which commerce is the soul, just as personal rivalry was the soul of culture among the ancient Greeks, and war, conquest, and law among the ancient Romans. The tradesman is able to value everything without producing it, and to value it according to the requirements of the consumer rather than his own personal needs. “How many [pg 179] and what class of people will consume this?” is his question of questions. Hence, he instinctively and incessantly employs this mode of valuation and applies it to everything, including the productions of art and science, and of thinkers, scholars, artists, statesmen, nations, political parties, and even entire ages: with respect to everything produced or created he inquires into the supply and demand in order to estimate for himself the value of a thing. This, when once it has been made the principle of an entire culture, worked out to its most minute and subtle details, and imposed upon every kind of will and knowledge, this is what you men of the coming century will be proud of,—if the prophets of the commercial classes are right in putting that century into your possession! But I have little belief in these prophets. Credat Judæus Apella—to speak with Horace.

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