What is Living?—Living—that is to continually eliminate from ourselves what is about to die; Living—that is to be cruel and inexorable towards all that becomes weak and old in ourselves, and not only in ourselves. Living—that means, therefore, to be without piety toward the dying, the wretched and the old? To be continually a murderer?—And yet old Moses said: "Thou shalt not kill!"
27.
The Self-Renouncer.—What does the self-renouncer do? He strives after a higher world, he wants to fly longer and further and higher than all men of affirmation—he throws away many things that would burden his flight, and several things among them that are not valueless, that are not unpleasant to him: he sacrifices them to his desire for elevation. Now this sacrificing, this casting away, is the very thing which becomes visible in him: on that account one calls him the self-renouncer, and as such he stands before us, enveloped in his cowl, and as the soul of a hair-shirt. With this effect, however, which he makes upon us he is well content: he wants to keep concealed from us his desire, his pride, his intention of flying above us.—Yes! He is wiser than we thought, and so courteous towards us—this affirmer! For that is what he is, like us, even in his self-renunciation.
28.
Injuring with one's best Qualities.—Our strong points sometimes drive us so far forward that we cannot any longer endure our weaknesses, and we perish by them: we also perhaps see this result beforehand, but nevertheless do not want it to be otherwise. We then become hard towards that which would fain be spared in us, and our pitilessness is also our greatness. Such an experience, which must in the end cost us our life, is a symbol of the collective effect of great men upon others and upon their epoch:—it is just with their best abilities, with that which only they can do, that they destroy much that is weak, uncertain, evolving, and willing, and are thereby injurious. Indeed, the case may happen in which, taken on the whole, they only do injury, because their best is accepted and drunk up as it were solely by those who lose their understanding and their egoism by it, as by too strong a beverage; they become so intoxicated that they go breaking their limbs on all the wrong roads where their drunkenness drives them.
29.
Adventitious Liars.—When people began to combat the unity of Aristotle in France, and consequently also to defend it, there was once more to be seen that which has been seen so often, but seen so unwillingly:—people imposed false reasons on themselves on account of which those laws ought to exist, merely for the sake of not acknowledging to themselves that they had accustomed themselves to the authority of those laws, and did not want any longer to have things otherwise. And people do so in every prevailing morality and religion, and have always done so: the reasons and intentions behind the habit, are only added surreptitiously when people begin to combat the habit, and ask for reasons and intentions. It is here that the great dishonesty of the conservatives of all times hides:—they are adventitious liars.
30.
The Comedy of Celebrated Men.—Celebrated men who need their fame, as, for instance, all politicians, no longer select their associates and friends without after-thoughts: from the one they want a portion of the splendour and reflection of his virtues; from the other they want the fear-inspiring power of certain dubious qualities in him, of which everybody is aware; from another they steal his reputation for idleness and basking in the sun, because it is advantageous for their own ends to be regarded temporarily as heedless and lazy:—it conceals the fact that they lie in ambush; they now use the visionaries, now the experts, now the brooders, now the pedants in their neighbourhood, as their actual selves for the time, but very soon they do not need them any longer! And thus while their environment and outside die off continually, everything seems to crowd into this environment, and wants to become a "character" of it; they are like great cities in this respect. Their repute is continually in process of mutation, like their character, for their changing methods require this change, and they show and exhibit sometimes this and sometimes that actual or fictitious quality on the stage; their friends and associates, as we have said, belong to these stage properties. On the other hand, that which they aim at must remain so much the more steadfast, and burnished and resplendent in the distance,—and this also sometimes needs its comedy and its stage-play.