Morality regarded as an attempt at establishing human pride.—The "Free-Will" theory is anti-religious. Its ultimate object is to bestow the right upon man to regard himself as the cause of his highest states and actions: it is a form of the growing feeling of pride.
Man feels his power his "happiness"; as they say: there must be a will behind these states—otherwise they do not belong to him. Virtue is an attempt at postulating a modicum of will, past or present, as the necessary antecedent to every exalted and strong feeling of happiness: if the will to certain actions is regularly present in consciousness, a sensation of power may be interpreted as its result. This is a merely psychological point of view, based upon the false assumption that nothing belongs to us which we have not consciously willed. The whole of the teaching of responsibility relies upon the ingenuous psychological rule that the will is the only cause, and that one must have been aware of having willed in order to be able to regard one's self as a cause.
Then comes the counter-movement—that of the moral-philosophers. These men still labour under the delusion that a man is responsible only for what he has willed. The value of man is then made a moral value: thus morality becomes a causa prima; for this there must be some kind of principle in man, and "free will" is posited as prima causa. The arrière pensée is always this: If man is not a causa prima through his will, he must be irresponsible,—therefore he does not come within the jurisdiction of morals,—virtue or vice is automatic and mechanical....
In short: in order that man may respect himself he must be capable of becoming evil.
289.
Theatricalness regarded as the result of "Free Will" morality. It is a step in the development of the feeling of power itself to believe one's self to be the author of one's exalted moments (of one's perfection) and to have willed them....
(Criticism: all perfect action is precisely unconscious and not deliberate; consciousness is often the expression of an imperfect and often morbid constitution. Personal perfection regarded as determined by will, as an act of consciousness, as reason with dialectics, is a caricature, a sort of self-contradiction.... Any degree of consciousness renders perfection impossible. ... A form of theatricalness.)
290.
The moral hypothesis, designed with a view to justifying God, said: evil must be voluntary (simply in order that the voluntariness of goodness might be believed in); and again, all evil and suffering have an object which is salvation.
The notion "guilt" was considered as something which had no connection at all with the ultimate cause of existence, and the notion "punishment" was held to be an educating and beneficent act, consequently an act proceeding from a good God.