[5] Thekla is the sentimental heroine in Schiller's Wallenstein.—TRANSLATOR'S NOTE.

107.

From the point of view only of his value to Germany and to German culture, Richard Wagner is still a great problem, perhaps a German misfortune: in any case, however, a fatality. But what does it matter? Is he not very much more than a German event? It also seems to me that to no country on earth is he less related than to Germany; nothing was prepared there for his advent; his whole type is simply strange amongst Germans; there he stands in their midst, wonderful, misunderstood, incomprehensible. But people carefully avoid acknowledging this: they are too kind, too square-headed—too German for that. "Credo quia absurdus est": thus did the German spirit wish it to be, in this case too—hence it is content meanwhile to believe everything Richard Wagner wanted to have believed about himself. In all ages the spirit of Germany has been deficient in subtlety and divining powers concerning psychological matters. Now that it happens to be under the high pressure of patriotic nonsense and self-adoration, it is visibly growing thicker and coarser: how could it therefore be equal to the problem of Wagner!

108.

The Germans are not yet anything, but they are becoming something; that is why they have not yet any culture;—that is why they cannot yet have any culture!—They are not yet anything: that means they are all kinds of things. They are becoming something: that means that they will one day cease from being all kinds of things. The latter is at bottom only a wish, scarcely a hope yet. Fortunately it is a wish with which one can live, a question of will, of work, of discipline, a question of training, as also of resentment, of longing, of privation, of discomfort,—yea, even of bitterness,—in short, we Germans will get something out of ourselves, something that has not yet been wanted of us—we want something more!

That this "German, as he is not as yet"—has a right to something better than the present German "culture"; that all who wish to become something better, must wax angry when they perceive a sort of contentment, an impudent "setting-oneself-at-ease," or "a process of self-censing," in this quarter: that is my second principle, in regard to which my opinions have not yet changed.


(c) Signs of Increasing Strength.

109.

First Principle: everything that characterises modern men savours of decay: but side by side with the prevailing sickness there are signs of a strength and powerfulness of soul which are still untried. The same causes which tend to promote the belittling of men, also force the stronger and rarer individuals upwards to greatness.