The Will to Power: An Attempted Transvaluation of All Values. Book I and II

by Friedrich Wilhelm Nietzsche

Unity in the face of danger; the conversion of the masses becomes the only means of putting an end to the persecution of the individual. (The notion "conversion" is therefore made as elastic as possible.)

174.

The Christian Judaic life: here resentment did not prevail. The great persecutions alone could have driven out the passions to that extent—as also the ardour of love and hate.

When the creatures a man most loves are sacrificed before his eyes for the sake of his faith, that man becomes aggressive; the triumph of Christianity is due to its persecutors.

Asceticism is not specifically Christian: this is what Schopenhauer misunderstood. It only shoots up in Christianity, wherever it would have existed without that religion.

Melancholy Christianity, the torture and torment of the conscience, also only a peculiarity of a particular soil, where Christian values have taken root: it is not Christianity properly speaking. Christianity has absorbed all the different kinds of diseases which grow from morbid soil: one could refute it at one blow by showing that it did not know how to resist any contagion. But that precisely is the essential feature of it. Christianity is a type of decadence.

175.

The reality on which Christianity was able to build up its power consisted of the small dispersed Jewish families, with their warmth, tenderness, and peculiar readiness to help, which, to the whole of the Roman Empire, was perhaps the most incomprehensible and least familiar of their characteristics; they were also united by their pride at being a "chosen people," concealed beneath a cloak of humility, and by their secret denial of all that was uppermost and that possessed power and splendour, although there was no shade of envy in their denial. To have recognised this as a power, to have regarded this blessed state as communicable, seductive, and infectious even where pagans were concerned—this constituted Paul's genius: to use up the treasure of latent energy and cautious happiness for the purposes of "a Jewish Church of free confession," and to avail himself of all the Jewish experience, their propaganda, and their expertness in the preservation of a community under a foreign power—this is what he conceived to be his duty. He it was who discovered that absolutely unpolitical and isolated body of paltry people, and their art of asserting themselves and pushing themselves to the front, by means of a host of acquired virtues which are made to represent the only forms of virtue ("the self-preservative measure and weapon of success of a certain class of man").

The principle of love comes from the small community of Jewish people: a very passionate soul glows here, beneath the ashes of humility and wretchedness: it is neither Greek, Indian, nor German. The song in praise of love which Paul wrote is not Christian; it is the Jewish flare of that eternal flame which is Semitic. If Christianity has done anything essentially new in a psychological sense, it is this, that it has increased the temperature of the soul among those cooler and more noble races who were at one time at the head of affairs; it discovered that the most wretched life could be made rich and invaluable, by means of an elevation of the temperature of the soul....

It is easily understood that a transfer of this sort could not take place among the ruling classes: the Jews and Christians were at a disadvantage owing to their bad manners—spiritual strength and passion, when accompanied by bad manners, only provoke loathing (I become aware of these bad manners while reading the New Testament). It was necessary to be related both in baseness and sorrow with this type of lower manhood in order to feel anything attractive in him.... The attitude a man maintains towards the New Testament is a test of the amount of taste he may have for the classics (see Tacitus); he who is not revolted by it, he who does not feel honestly and deeply that he is in the presence of a sort of fœda superstitio when reading it, and who does not draw his hand back so as not to soil his fingers—such a man does not know what is classical. A man must feel about "the cross" as Goethe did.[1]