868.
General aspect of the future European: the latter regarded as the most intelligent servile animal, very industrious, at bottom very modest, inquisitive to excess, multifarious, pampered, weak of will,—a chaos of cosmopolitan passions and intelligences. How would it be possible for a stronger race to be bred from him?—Such a race as would have a classical taste? The classical taste: this is the will to simplicity, to accentuation, and to happiness made visible, the will to the terrible, and the courage for psychological nakedness (simplification is the outcome of the will to accentuate; allowing happiness as well as nakedness to become visible is a consequence of the will to the terrible ...). In order to fight one's way out of that chaos, and up to this form, a certain disciplinary constraint is necessary: a man should have to choose between either going to the dogs or prevailing. A ruling race can only arise amid terrible and violent conditions. Problem: where are the barbarians of the twentieth century? Obviously they will only show themselves and consolidate themselves after enormous socialistic crises. They will consist of those elements which are capable of the greatest hardness towards themselves, and which can guarantee the most enduring will-power.
869.
The mightiest and most dangerous passions of man, by means of which he most easily goes to rack and ruin, have been so fundamentally banned that mighty men themselves have either become impossible or else must regard themselves as evil, "harmful and prohibited." The losses are heavy, but up to the present they have been necessary. Now, however, that a whole host of counter-forces has been reared, by means of the temporary suppression of these passions (the passion for dominion, the love of change and deception), their liberation has once more become possible: they will no longer possess their old savagery. We can now allow ourselves this tame sort of barbarism: look at our artists and our statesmen!
870.
The root of all evil: that the slave morality of modesty, chastity, selflessness, and absolute obedience should have triumphed. Dominating natures were thus condemned (1) to hypocrisy, (2) to qualms of conscience,—creative natures regarded themselves as rebels against God, uncertain and hemmed in by eternal values.
The barbarians showed that the ability of keeping within the bounds of moderation was not in the scope of their powers: they feared and slandered the passions and instincts of nature—likewise the aspect of the ruling Cæsars and castes. On the other hand, there arose the suspicion that all restraint is a form of weakness or of incipient old age and fatigue (thus La Rochefoucauld suspects that "virtue" is only a euphemism in the mouths of those to whom vice no longer affords any pleasure). The capacity for restraint was represented as a matter of hardness, self-control, asceticism, as a fight with the devil, etc. etc. The natural delight of æsthetic natures, in measure; the pleasure derived from the beauty of measure, was overlooked and denied, because that which was desired was an anti-eudæmonistic morality. The belief in the pleasure which comes of restraint has been lacking hitherto—this pleasure of a rider on a fiery steed! The moderation of weak natures was confounded with the restraint of the strong!
In short, the best things have been blasphemed because weak or immoderate swine have thrown a bad light upon them—the best men have remained concealed—and have often misunderstood themselves.
871.