152
All branches of history have experimented with antiquity · critical consideration alone remains. By this term I do not mean conjectural and literary-historical criticism.
153
Antiquity has been treated by all kinds of historians and their methods. We have now had enough experience, however, to turn the history of antiquity to account without being shipwrecked on antiquity itself.
154
We can now look back over a fairly long period of human existence · what will the humanity be like which is able to look back at us from an equally long distance? which finds us lying intoxicated among the débris of old culture! which finds its only consolation in "being good" and in holding out the "helping hand," and turns away from all other consolations!—Does beauty, too, grow out of the ancient culture? I think that our ugliness arises from our metaphysical remnants . our confused morals, the worthlessness of our marriages, and so on, are the cause. The beautiful man, the healthy, moderate, and enterprising man, moulds the objects around him into beautiful shapes after his own image.
155
Up to the present time all history has been written from the standpoint of success, and, indeed, with the assumption of a certain reason in this success. This remark applies also to Greek history: so far we do not possess any. It is the same all round, however: where are the historians who can survey things and events without being humbugged by stupid theories? I know of only one, Burckhardt. Everywhere the widest possible optimism prevails in science. The question: "What would have been the consequence if so and so had not happened?" is almost unanimously thrust aside, and yet it is the cardinal question. Thus everything becomes ironical. Let us only consider our own lives. If we examine history in accordance with a preconceived plan, let this plan be sought in the purposes of a great man, or perhaps in those of a sex, or of a party. Everything else is a chaos.—Even in natural science we find this deification of the necessary.
Germany has become the breeding-place of this historical optimism; Hegel is perhaps to blame for this. Nothing, however, is more responsible for the fatal influence of German culture. Everything that has been kept down by success gradually rears itself up: history as the scorn of the conqueror; a servile sentiment and a kneeling down before the actual fact—"a sense for the State," they now call it, as if that had still to be propagated! He who does not understand how brutal and unintelligent history is will never understand the stimulus to make it intelligent. Just think how rare it is to find a man with as great an intelligent knowledge of his own life as Goethe had . what amount of rationality can we expect to find arising out of these other veiled and blind existences as they work chaotically with and in opposition to each other?
And it is especially naive when Hellwald, the author of a history of culture, warns us away from all "ideals," simply because history has killed them off one after the other.