The tear-stained face looked up at Norman.
"It was just after one o'clock," she said. "I had been lying awake in the dark for hours, planning to kill myself. And then, in a flash the idea came to me." Suddenly she shook loose from Mrs. Carr and stood up, facing Norman. "Oh, I hate you!" she screamed. "I hate you!"
Gunnison followed him out of the office. He yawned, shook his head, and remarked, "Glad that's over."
"Never a dull moment," Norman responded, absently.
"Oh, by the way," Gunnison said, dragging a stiff white envelope out of his inside pocket, "here's a note for Mrs. Saylor. Hulda asked me to give it to you. I forgot about it before."
"I met her coming out of your office this morning," Norman said, his thoughts still elsewhere.
Somewhat later, back at Morton, Norman tried to come to grips with those thoughts, but found them remarkably slippery. The dragon on the roof ridge of Estrey Hall lured away his attention. Funny about little things like that. You never even noticed them for years, and then they suddenly popped into focus. How many people could give you one single definite fact about the architectural ornaments of buildings in which they worked? Not one in ten, probably. Why, if you'd asked him yesterday about that dragon, he wouldn't for his life have been able to tell you even if there was one or not.
He leaned on the window sill, looking at the lizardlike yet grotesquely anthropoid form, bathed in the yellow sunset glow, which, his wandering mind remembered, was supposed to symbolize the souls of the dead passing into and out of the underworld. Below the dragon, jutting out from under the cornice, was a sculptured head, one of a series of famous scientists and mathematicians decorating the entablature. He made out the name "Galileo," along with a brief inscription of some sort.
When he turned back to answer the phone, it suddenly seemed very dark in the office.