"Shaddup!" Harvey roared. Then his voice instantly went low again. "Ain't nobody hates science more'n me, but ain't nobody tells me so. Shoulda kept your mouth shut, Skinny. Now there's gonna be more'n gadgets stomped, more'n books tore."
Silence came except for the faint sucks of breath, the faint scuffle of shoes on grit as Harvey's people slowly moved in. Ellenby stood helplessly, yet at the same time he felt a widening and intensification of his sensory powers. He was aware of the delicately lace-edged tree shadows cast from the hill ahead by the westering sun. At the other limit of his vision the copter no longer trailed its green caterpillar; for some reason it was buzzing closer along the road. At the same time he was conscious with a feverish clarity of the page by which Harvey dangled the Keats, and without reading the words he saw the lines:
Beauty is truth, truth beauty—that is all
Ye know on earth, and all ye need to know.
Suddenly the slowly advancing faces seemed to freeze and Ellenby was aware of something spectral and ominous about the yellowing sunlight and the whole acid-etched scene around him. It was something more than the physical threat to him and Madson—it was something that seemed to well up menacingly from the ground under his feet.
There was a sudden faint thunder and even as something inside Ellenby said, "That isn't it, that isn't what the sky's waiting for," he saw the chrome muzzle of the Lunar '69 bulleting toward them across the bridge with Vera-Ellen's violet mop above the wheel.
But even as the braking blasts gouted out redly from under the hood and the car crunched toward a stop in their midst, even as Harvey's people broke to either side and pistols popped with queerly toylike reports, the thunder multiplied until it was impossible that the Lunar '69 was causing it, until it was like the thunder of a thousand invisible jets crushing the air around them. The sky shifted, rocked. The road shook. There came a shock that numbed Ellenby's feet and sent everyone around him reeling, and a pounding, smashing sound that made any remembered noise seem puny.
The Lunar '69, which had stopped a dozen feet from Ellenby, was pitching and tossing like a silver ship in a storm. Vera-Ellen was gripping the steering wheel with one hand and motioning to him frantically with the other. In the seat beyond her Rickie Vickson was jouncing as if in a merry-go-round chariot.
Ellenby lurched as a hand clutched his shoulder and a staggering Madson howled in his ear through the tumult, "Now you've got your rotten bombs!" Between him and the car Harvey's bullet head reared up and as suddenly dropped away. Looking down, Ellenby saw that a chasm four feet wide had split the road between him and the car. Its walls were raw, smoking earth and rock. Down it Ellenby saw vanishing, in one frozen moment, Harvey and the Keats and the little brass spectroscope.