Yes, the play was going great. The Dagger Scene was terrific where Duncan gets murdered offstage, and so was the part afterwards where hysteria mounts as the crime's discovered.
But just at this point I began to catch notes I didn't like. Twice someone was late on entrance and came on as if shot from a cannon. And three times at least Sid had to throw someone a line when they blew up—in the clutches Sid's better than any prompt book. It began to look as if the play were getting out of control, maybe because the new tempo was so hot.
But they got through the Murder Scene okay. As they came trooping off, yelling "Well contented," most of them on my side for a change, I went for Sid with a towel. He always sweats like a pig in the Murder Scene. I mopped his neck and shoved the towel up under his doublet to catch the dripping armpits.
Meanwhile he was fumbling around on a narrow table where they lay props and costumes for quick changes. Suddenly he dug his fingers into my shoulder, enough to catch my attention at this point, meaning I'd show bruises tomorrow, and yelled at me under his breath, "And you love me, our crows and robes. Presto!"
I was off like a flash to the costumery. There were Mr. and Mrs. Mack's king-and-queen robes and stuff hanging and sitting just where I knew they'd have to be.
I snatched them up, thinking, Boy, they made a mistake when they didn't tell about this special performance, and I started back like Flash Two.
As I shot out the dressing room door the theater was very quiet. There's a short low-pitched scene on stage then, to give the audience a breather. I heard Miss Nefer say loudly (it had to be loud to get to me from even the front of the audience): "'Tis a good bloody play, Eyes," and some voice I didn't recognize reply a bit grudgingly, "There's meat in it and some poetry too, though rough-wrought." She went on, still as loudly as if she owned the theater, "'Twill make Master Kyd bite his nails with jealousy—ha, ha!"
Ha-ha yourself, you scene-stealing witch, I thought, as I helped Sid and then Martin on with their royal outer duds. But at the same time I knew Sid must have written those lines himself to go along with his prologue. They had the unmistakable rough-wrought Lessingham touch. Did he really expect the audience to make anything of that reference to Shakespeare's predecessor Thomas Kyd of The Spanish Tragedy and the lost Hamlet? And if they knew enough to spot that, wouldn't they be bound to realize the whole Elizabeth-Macbeth tie-up was anachronistic? But when Sid gets an inspiration he can be very bull-headed.
Just then, while Bruce-Banquo was speaking his broody low soliloquy on stage, Miss Nefer cut in again loudly with, "Aye, Eyes, a good bloody play. Yet somehow, methinks—I know not how—I've heard it before." Whereupon Sid grabbed Martin by the wrist and hissed, "Did'st hear? Oh, I like not that," and I thought, Oh-ho, so now she's beginning to ad-lib.
Well, right away they all went on stage with a flourish, Sid and Martin crowned and hand in hand. The play got going strong again. But there were still those edge-of-control undercurrents and I began to be more uneasy than caught up, and I had to stare consciously at the actors to keep off a wavery-fit.