Martin's fingers were darting at the next to the last hook. I stopped him and shoved my hand down the neck of my sweater and got hold of the subway token and the chain it was on and yanked. It burned my neck but the gold links parted. I started to throw it across the room, but instead I smiled at Siddy and dropped it in his palm.
"The Sleepwalking Scene!" Maud hissed insistently to us from the door.
VII
I know death hath ten thousand several doors
For men to take their exits, and 'tis found
They go on such strange geometrical hinges,
You may open them both ways.
—The Duchess
There is this about an actor on stage: he can see the audience but he can't look at them, unless he's a narrator or some sort of comic. I wasn't the first (Grendel groks!) and only scared to death of becoming the second as Siddy walked me out of the wings onto the stage, over the groundcloth that felt so much like ground, with a sort of interweaving policeman-grip on my left arm.
Sid was in a dark gray robe looking like some dismal kind of monk, his head so hooded for the Doctor that you couldn't see his face at all.
My skull was pulse-buzzing. My throat was squeezed dry. My heart was pounding. Below that my body was empty, squirmy, electricity-stung, yet with the feeling of wearing ice cold iron pants.
I heard as if from two million miles, "When was it she last walked?" and then an iron bell somewhere tolling the reply—I guess it had to be my voice coming up through my body from my iron pants: "Since his majesty went into the field—" and so on, until Martin had come on stage, stary-eyed, a white scarf tossed over the back of his long black wig and a flaring candle two inches thick gripped in his right hand and dripping wax on his wrist, and started to do Lady Mack's sleepwalking half-hinted confessions of the murders of Duncan and Banquo and Lady Macduff.
So here is what I saw then without looking, like a vivid scene that floats out in front of your mind in a reverie, hovering against a background of dark blur, and sort of flashes on and off as you think, or in my case act. All the time, remember, with Sid's hand hard on my wrist and me now and then tolling Shakespearan language out of some lightless storehouse of memory I'd never known was there to belong to me.