She looked so much the part, you see—even without the red wig yet, just powdered pale makeup going back to a quarter of an inch from her own short dark bang combed and netted back tight. The age too. Miss Nefer can't be a day over forty—well, forty-two at most—but now she looked and talked and felt to my hands dressing her, well, at least a dozen years older. I guess when Miss Nefer gets into character she does it with each molecule.

That age point fascinated me so much that I risked asking her a question. Probably I was figuring that she couldn't do me much damage because of the positions we happened to be in at the moment. You see, I'd started to lace her up and to do it right I had my knee against the tail of her spine.

"How old, I mean how young might your majesty be?" I asked her, innocently wonderingly like some dumb serving wench.

For a wonder she didn't somehow swing around and clout me, but only settled into character a little more deeply.

"Fifty-four winters," she replied dismally. "'Tiz Januarius of Our Lord's year One Thousand and Five Hundred and Eighty and Seven. I sit cold in Greenwich, staring at the table where Mary's death warrant waits only my sign manual. If I send her to the block, I open the doors to future, less official regicides. But if I doom her not, Philip's armada will come inching up the Channel in a season, puffing smoke and shot, and my English Catholics, thinking only of Mary Regina, will rise and i' the end the Spaniard will have all. All history would alter. That must not be, even if I'm damned for it! And yet ... and yet...."

A bright blue fly came buzzing along (the dressing room has some insect life) and slowly circled her head rather close, but she didn't even flicker her eyelids.

"I sit cold in Greenwich, going mad. Each afternoon I ride, praying for some mischance, some prodigy, to wash from my mind away the bloody question for some little space. It skills not what: a fire, a tree a-failing, Davison or e'en Eyes Leicester tumbled with his horse, an assassin's ball clipping the cold twigs by my ear, a maid crying rape, a wild boar charging with dipping tusks, news of the Spaniard at Thames' mouth or, more happily, a band of strolling actors setting forth some new comedy to charm the fancy or some great unheard-of tragedy to tear the heart—though that were somewhat much to hope for at this season and place, even if Southwark be close by."

The lacing was done. I stood back from her, and really she looked so much like Elizabeth painted by Gheeraerts or on the Great Seal of Ireland or something—though the ash-colored plush dress trimmed in silver and the little silver-edge ruff and the black-silver tinsel-cloth cloak lined with white plush hanging behind her looked most like a winter riding costume—and her face was such a pale frozen mask of Elizabeth's inward tortures, that I told myself, Oh, I got to talk to Siddy again, he's made some big mistake, the lardy old lackwit. Miss Nefer just can't be figuring on playing in Macbeth tonight.

As a matter of fact I was nerving myself to ask her all about it direct, though it was going to take some real nerve and maybe be risking broken bones or at least a flayed cheek to break the ice of that characterization, when who should come by calling the Fifteen Minutes but Martin. He looked so downright goofy that it took my mind off Nefer-in-character for all of eight seconds.

His levied bottom half still looked like The Lower Depths. Martin is Village Stanislavsky rather than Ye Olde English Stage Traditions. But above that ... well, all it really amounted to was that he was stripped to the waist and had shaved off the small high tuft of chest hair and was wearing a black wig that hung down in front of his shoulders in two big braids heavy with silver hoops and pins. But just the same those simple things, along with his tarpaper-solarium tan and habitual poker expression, made him look so like an American Indian that I thought, Hey Zeus!—he's all set to play Hiawatha, or if he'd just cover up that straight-line chest, a frowny Pocahontas. And I quick ran through what plays with Indian parts we do and could only come up with The Fountain.