"Oh, it's a sweet life, all right, but I'm asking you—" and here his eyes stabbed us again, one by one, fast—"I'm asking you what it's done to us. I've been getting a completely new picture, as I said, of what my life was and what it could have been if there'd been changes of the sort that even we Demons can't make, and what my life is. I've been watching how we've all been responding to things just now, to the news of Saint Petersburg and to what the Cretan officer told beautifully—only it wasn't beautiful what she had to tell—and mostly to that bloody box of bomb. And I'm simply asking each one of you, what's happened to you?"
He stopped his pacing and stuck his thumbs in his belt and seemed to be listening to the wheels turning in at least eleven other heads—only I stopped mine pretty quick, with Dave and Father and the Rape of Chicago coming up out of the dark on the turn and Mother and the Indiana Dunes and Jazz Limited just behind them, followed by the unthinkable thing the Spider doctor had flicked into existence when I flopped as a nurse, because I can't stand that to be done to my mind by anybody but myself.
I stopped them by using the old infallible Entertainers' gimmick, a fast survey of the most interesting topic there is—other people's troubles.
Offhand, Beau looked as if he had most troubles, shamed by his boss and his girl given her heart to a Soldier; he was hugging them to himself very quiet.
I didn't stop for the two ETs—they're too hard to figure—or for Doc; nobody can tell whether a fallen-down drunk's at the black or bright end of his cycle; you just know it's cycling.
Maud ought to be suffering as much as Beau, called names and caught out in a panic, which always hurts her because she's plus three hundred years more future than the rest of us and figures she ought to be that much wiser, which she isn't always—not to mention she's over fifty years old, though her home-century cosmetic science keeps her looking and acting teenage most of the time. She'd backed away from the bronze chest so as not to stand out, and now Lili came from behind the piano and stood beside her.
Lili had the opposite of troubles, a great big glow for Bruce, proud as a promised princess watching her betrothed. Erich frowned when he saw her, for he seemed proud too, proud of the way his Kamerad had taken command of us panicky whacks Führer-fashion. Sid still looked mostly grateful and inclined to let Bruce keep on talking.
Even Kaby and Mark, those two dragons hot for battle, standing a little in front and to one side of us by the bronze chest, like its guardians, seemed willing to listen. They made me realize one reason Sid had for letting Bruce run on, although the path his talk was leading us down was flashing with danger signals: When it was over, there'd still be the problem of what to do with the bomb, and a real opposition shaping up between Soldiers and Entertainers, and Sid was hoping a solution would turn up in the meantime or at least was willing to put off the evil day.