There was a rasp of laughter from the bar. The militarists were reacting. Erich stepped out, looking very happy. "So now we have to listen to women making speeches," he called. "What is this Place, anyhow? Sidney Lessingham's Saturday Evening Sewing Circle?"
Beau and Sevensee, who'd stopped their pacing halfway between the bar and the control divan, turned toward Erich, and Sevensee looked a little burlier, a little more like half a horse, than satyrs in mythology book illustrations. He stamped—medium hard, I'd say—and said, "Ahh, go flya kite." I'd found out he'd learned English from a Demon who'd been a longshoreman with syndicalist-anarchist sympathies. Erich shut up for a moment and stood there grinning, his hands on his hips.
Lili nodded to the satyr and cleared her throat, looking scared. But she didn't speak; I could see she was thinking and feeling something, and her face got ugly and haggard, as if she were in a Change Wind that hadn't reached me yet, and her mouth went into a snarl to fight tears, but some spurted out, and when she did speak her voice was an octave lower and it wasn't just London talking but New York too.
"I don't know how Resurrection felt to you people, because I'm new and I loathe asking questions, but to me it was pure torture and I wished only I'd had the courage to tell Suzaku, 'I wish to remain a Zombie, if you don't mind. I'd rather the nightmares.' But I accepted Resurrection because I've been taught to be polite and because there is the Demon in me I don't understand that always wishes to live, and I found that I still felt like a Zombie, although I could flit about, and that I still had the nightmares, except they'd grown a deal vivider.
"I was a young girl again, seventeen, and I suppose every woman wishes to be seventeen, but I wasn't seventeen inside my head—I was a woman who had died of Bright's disease in New York in 1929 and also, because a Big Change blew my lifeline into a new drift, a woman who had died of the same disease in Nazi-occupied London in 1955, but rather more slowly because, as you can fancy, the liquor was in far shorter supply. I had to live with both those sets of memories and the Change World didn't blot them out any more than I'm told it does those of any Demon, and it didn't even push them into the background as I'd hoped it would.
"When some Change Fellow would say to me, 'Hallo, beautiful, how about a smile?' or 'That's a posh frock, kiddo,' I'd be back at Bellevue looking down at my swollen figure and the light getting like spokes of ice, or in that dreadful gin-steeped Stepney bedroom with Phyllis coughing herself to death beside me, or at best, for a moment, a little girl in Glamorgan looking at the Roman road and wondering about the wonderful life that lay ahead."
I looked at Erich, remembering he had a long nasty future back in the cosmos himself, and at any rate he wasn't smiling, and I thought maybe he's getting a little humility, knowing someone else has two of those futures, but I doubted it.
"Because, you see," Lili kept forcing it out, "all my three lives I'd been a girl who fell in love with a great young poet she'd never met, the voice of the new youth and all youth, and she'd told her first big lie to get in the Red Cross and across to France to be nearer him, and it was all danger and dark magics and a knight in armor, and she pictured how she'd find him wounded but not seriously, with a little bandage around his head, and she'd light a fag for him and smile lightly, never letting him guess what she felt, but only being her best self and watching to see if that made something happen to him....