After snarling, the street continued to growl deep in its throat—it had two lower levels. The growl was composed of the hum of electrics, the subterranean rumble of heavier traffic, the yak-yak of competing vocal advertisements, and the nervous shuffle of feet that was the same when Rome and Babylon were young, but that was intensified here because most of the women's feet were on platforms three to ten inches high.
Neither the growl nor the snarl disturbed Phil. Normally he'd already have had his ear plugs tucked in, his face fixed straight ahead, his eyes nervously questing for hot rods, which were known to jump curbs. But today he simply wanted to drink it all in, to see the things he'd always been blind to, to note the anxious but apathetic expressions on the faces of the pedestrians, to sense the invisible lines of force that, like spider webs or marionette strings, joined them to the space-overflowing advertisements, which ranged from the crisp, "Learn to Break Necks!" and the cute "A Strip-Tease Doll All Your Own!" to the "Why Not Lobotomy?" and the imagination-tantalizing "Glamorize Your Figure with a Sprayed-on Evening Dress! Plasticfabric cures in a jiffy, breathes. No heat, no adhesions! Special forms flare the skirt, shape the bosom! Designed by artists right on your body!"
Lucky seemed no more frightened of the street than Phil. He scampered along close to the base of Skyway Towers' monumental façade, the camouflaging green color of which may have explained why none of the pedestrians took note of him—not that any explanation was needed as to why those walking nerve-bags didn't see things right under their noses!
A gleaming sales-robot veered toward Phil on its silent wheels, but Phil deftly interposed another balloon-suited man between himself and it. The balloon-suited man began to get a slick reducing pill sales talk; evidently the robot had scanned his profile. Phil hurried around the corner after Lucky, who had turned down garish Opperly Avenue.
As if he had picked up a scent, Lucky abruptly left the wall, glided across the sidewalk and padded across Opperly Avenue between the passing cars. Phil followed, not without a certain heart pounding, but with no real anxieties. Something allowed him to sense easily the intentions of all the cars in the block—dodging them was almost fun.
He reached the opposite curb a good five feet ahead of a playful youth in a jalopy with a tin body like a space jeep scribbled over with such signs as "Oh, You Venusian!" and "Girls beware—escape speed zero." Effortlessly recovering his breath, Phil found himself facing an ornate cave mouth flanked with old-fashioned fluorescent posters, the largest lettering on which read: "TONIGHT! Juno Jones, the Man-Maiming Amazon vs. Dwarf Zubek, the Bone-Crushing Misogynist."
But he had no time to read the rest of the bill, for Lucky was dancing up the broad corridor lined with giant stereographs of menacing, half-naked men and women, looking in the dim light like genies freshly materialized from smoke.
Ordinarily Phil would have felt a certain amount of disgust mixed with fear and uneasy fascination at entering, or even passing, a wrestling palace specializing in male-female, but today it seemed simply a part of life. It never occurred to him not to follow Lucky.
Just short of some turnstiles and a robot ticket taker lost in shadows, a side corridor spilled light. Lucky whisked into it. Phil had barely rounded the corner after him when a long, handless, boneless gray arm shot out of the wall and slapped itself firmly against Phil's middle.
"Where you think you're going, Mack?" a voice rasped from the wall. "On your way." And it gave him a quick shove toward the ticket taker.