And then the speed of his new directed fall increased, although the sphere was no longer falling with him, until his body was comfortably pressed against the soft lining. He deduced after a while that they must be accelerating, although he got his chief clue from the screen.
At first he couldn't interpret the picture on the screen. It was in shades of violet and showed a few large squares and oblongs with dark ribbons between most of them. On the central square were a number of dots, which slowly moved as he watched them—also three or four crosses with blobs at their centers. Gradually the squares and rectangles shrank, while more of the same came onto the screen from the edges. He realized that he was looking down at the city and that the dots, which he could hardly distinguish any more, were the men hunting them, while the crosses were the copters.
For a bit his stomach chilled at the thought of being poised so high above the city and going higher. But then he began to lose himself in the wonder of the picture. Phil hadn't traveled a great deal by air and had seen even less when he'd done so, and the growing picture of the city was enthralling. He began to feel rather like a god and to speculate how he'd mete out justice to mankind if he owned this mysterious little dinghy. Visions of sudden descents on dictators danced in his head.
"We soon high 'nough, Phil," she said. "Hold on hands, stick feet under bar."
He obeyed her instructions, taking hold of two handles and thrusting his legs under a large padded bar. A moment later he knew the reason, for he began to be pulled away from the screen and had to hold on tight. He deduced that they were decelerating. After a bit this stopped too and he was once more "in free-fall but not falling." Meanwhile, the picture in the screen had become one of the whole city—a checkerboard of tiny squares not unlike a map.
Dytie produced and unfolded an ordinary street map and flattened it out beside the screen.
"You say you know where find out pussycat is. You say in city. Show Dytie."
Phil forced his mind to tackle this problem. His first realization was just how flimsy the hope was on which he'd based his statement to Dytie that he might be able to locate the green cat. It depended on Billig having the green cat, on Jack Jones knowing where Billig had hidden from the FBL, and on Jack being in hiding himself at the Akeleys'. Still, it was the only way he knew of getting a line on Lucky.
And then it occurred to him that he didn't know where the Akeley house was located. But a sudden memory of a huge show window full of marching mannequins came to his rescue. The Akeley house was next to Monstro Multi-Products, and everybody knew the address of that vast department store. He located it for Dytie on the street map and then on the screen. Soon they were accelerating downward, so that he had to cling to the handles again, while the squares on the screen were growing larger, with the large square that was Monstro Multi-Products moving toward the center.
He started to ask Dytie to answer the questions he'd put to her in his room, but she cut him off with, "Like say, very long story. No time now. First find pussycat. Very 'portant."