"Yes, especially when your heroes kicked us out," Alice agreed.
Pop chuckled. "Yep," he said, "they even took Ray's artillery away from him."
"You're wrong there, Pop," I said, sitting up. "I still got one of the grenades—the one the pilot had in his fist." To tell the truth I'd forgotten all about it and it bothered me a little now to feel it snugged up in my pocket against my hip bone where the skin is thin.
"You believe what that old Dutchman said about the steel cubes being atomic grenades?" Pop asked me.
"I don't know," I said, "He sure didn't sound enthusiastic about telling us the truth about anything. But for that matter he sounded mean enough to tell the truth figuring we'd think it was a lie. Maybe this is some sort of baby A-bomb with a fuse timed like a grenade." I got it out and hefted it. "How about I press the button and drop it out the door? Then we'll know." I really felt like doing it—restless, I guess.
"Don't be a fool, Ray," Alice said.
"Don't tense up, I won't," I told her. At the same time I made myself the little promise that if I ever got to feeling restless, that is, restless and bad, I'd just go ahead and punch the button and see what happened—sort of leave my future up to the gods of the Deathlands, you might say.
"What makes you so sure it's a weapon?" Pop asked.
"What else would it be," I asked him, "that they'd be so hot on getting them in the middle of a war?"
"I don't know for sure," Pop said. "I've made a guess, but I don't want to tell it now. What I'm getting at, Ray, is that your first thought about anything you find—in the world outside or in your own mind—is that it's a weapon."