Both men arose and saluted respectfully, and, without further words, Akaza passed from the room.
CHAPTER TWO
THE CITY OF TLAMCO—ITS TEMPLES AND MARKETPLACES
The favorite breathing-place of the San Francisco of to-day is the site of what was once the Llama city, Tlamco, stretching from the Panhandle entrance at Golden Gate Park to the beach at the Cliff House rocks. It was a city of seven hills, marking the orbits and the diameters of the planets, Mercury, Venus, Mars, Jupiter, Saturn, Uranus and Neptune, as well as forming a map of the Pleiades.
This ancient abode of the Atlantian colonists in California was laid out in circles, with a large temple in the center, near the east end of Golden Gate Park at the inter-section of Haight and Shrader Streets. From this point were twelve radiating streets, intersected by four principal avenues, constructed on the cardinal points of the compass.
The one to the east led to Park Hill, which was terraced up to Mount Olympus on the south, and continued on to the East Temple fortress.
The western avenue led through the center of the park proper to Round Top, or Strawberry Hill, now ornamented with an artificial waterfall and an encircling lake. This hill is a natural rock, upon which was constructed the Temple of Neptune.
The corresponding thoroughfare on the north led to the Observatory and main fortress on Lone Mountain. These roadways were crowned with fine sand, still found in abundance in the dunes in the immediate vicinity.
There were tall three-faced obelisks of dark-red sandstone at the outside limits of the streets, while the inner terminals were marked by corresponding pillars of marble, similarly decorated. Single and double cross-bars at the top of each of these were hung with huge beaten-brass lanterns.
It was these statue obelisks, twelve in number, representing Mercury in the twelve hours, which gave the name of Tlamco to the city. The cognomen signified Wisdom.
These columns had three faces which literally pointed the way. The countenance on the right was that of a bearded old man; the middle face a laughing, sinister one, while that on the left was of a youth looking dreamily out into the distance. The shafts were placed so that the young sun-god faced the orb rising in the east, symbolical of the future; the center denoted the present, and reflected the sun at mid-day, while the old man fronted the west. Sunset typified Saturn, the Father Time of to-day.