Pilgrim ring.

In the collection of Mr. Octavius Morgan, F.R.S., F.S.A., is a gold ring, probably one of those obtained at Jerusalem, as tokens of pilgrimage to the Holy City. On the head, which is circular, is engraved the Jerusalem Cross, and around the hoop the first words of Numbers vi. 24: ‘The Lord bless thee and keep thee,’ in Hebrew characters.

At a meeting of the Archæological Institute (Feb. 1855), Mr. Gough Nichols exhibited impressions from two signet-rings, also bearing as a device the ‘Jerusalem Cross,’ or cross potent between four crosslets, the insignia of the Kingdom of Jerusalem, worn likewise on the mantles of the Knights of the Holy Sepulchre. This device is regarded as emblematic of the five wounds of our Lord. On one of these rings, of gold, purchased at Brighton, the cross appears between two olive-branches, with the word ‘Jerusalem’ in Hebrew characters beneath; on the other the branches alone are introduced. The ring last mentioned, which is of silver, is in the possession of Mr. Thompson, of Leicester. These are supposed to be memorial rings brought as tokens of pilgrimage to the Holy City.

A gold ring of most beautiful workmanship was exhibited at the Lincoln meeting of the Archæological Institute, by the Rev. S. Blois Turner, bearing the device of the bear and bâton ragulé, with the motto inscribed above, ‘Soulement une’ (only one). Around the hoop are the words, ‘be goddis fayre foot’. This very singular legend has been supposed to have reference to the miraculous impress of the Saviour’s feet on the Mount of Olives, which was regarded by pilgrims with extreme reverence, and, like the five wounds, was probably used as a symbol of talismanic virtue. This ring, formerly in the possession of George IV., now belongs to General Johnson. Weight 230 grains.

In the Braybrooke Collection is a brass ring strongly gilt, with a long, oval, flat signet, engraved with Hebrew characters, ‘Pray for the peace of Jerusalem,’ from Psalm cxxii., supposed to be one of the rings given to tourists to the holy city, as a certificate of their visit, and called in the East ‘hadji’ or pilgrims’ rings.

In the same collection is a slight silver ring, with narrow and flat band to hoop, surmounted by a circular signet; on the hoop is this inscription, in relief, between lines raised along each edge, headed and ended by small flowers, ‘M S D MONSERRATA.’ On the signet, also in relief, appears a double-handled stone-mason’s saw (serra), the Latin for which furnished the key to this monkish riddle; it reads thus, ‘Mater Sancta de Monserrata,’ or Holy Mother of Monserrat, in Spain, where there was a chapel dedicated to the Virgin, and this is, probably, the ring of a pilgrim to that shrine.

At the meeting of the Archæological Institute at Norwich in 1847 some curious examples of religious rings (of silver) were exhibited, connected, most probably, with charms and superstitions. A ring dating about the period of Henry VI. is engraved with the figure of a female saint, and the symbols of the five wounds. Another, of the same age, found at Fransham, has the hoop swaged or twisted; on the angular facets had been engraved figures of saints. The engraving on another ring was ‘+Maria+Anna+Ih’us.’

Amongst the rich collection of rings lent by Mr. R. H. Soden Smith to the Loan Exhibition of Ancient and Modern Jewellery at the South Kensington Museum in 1872, were six rings, gold and silver, of the iconographic type, having for the most part figures of saints engraved on the bezel, one inscribed within, in Gothic letters, ‘yspartir+canc+dec+’ (partir sans désir).

In the ‘Journal of the Royal Institution of Cornwall’ (Sept. 1875) is a note on an ancient signet-ring found at Penryn by Mr. W. H. Tregelles: ‘This ring was found a few years since in a field near Budock church, by a watchmaker of the neighbourhood, of whom I bought it for Mr. Octavius Morgan, F.S.A., late M.P. for Monmouthshire. It has been the subject of much interesting discussion, the result of which, with a description of the ring, and three impressions in hard wax, I have deposited in the Museum of the Royal Institution of Cornwall, at Truro.