Jewish.

The annexed illustrations, from rings in the Bailewski Collection, represent a gold Jewish ring of the thirteenth century, and one of the fourteenth century.

In the collection of the late Lady Fellows was a fine Jewish betrothal ring of gold decorated with filigree and enamel. Instead of any setting, the head is formed with a steep ridge, like the roof a house, opening on hinges; within is a cavity, closed by a lid, and probably intended to contain a charm or pastille. On the inner side of the hoop are engraved two Hebrew words signifying good fortune.

In a communication from Mr. Singer (whose unique collection of wedding-rings with inscriptions I have noticed in the chapter on ‘Posy, Inscription, and Motto Rings’) he informs me that he has a fine Hebrew ring of sixteenth-century work—‘a real old one, as most of those now about are forgeries. This has the Hebrew word “mussul taub” in a short Hebrew character, meaning “We wish you good luck,” engraved on the inside.’

According to Jewish law in modern times, it is necessary that the ring should be of a certain value. It is therefore examined and certified by the officiating Rabbi and the chief officers of the synagogue, when it is received by the bridegroom. When absolute property it must not be obtained by credit or by gift. When this is properly certified the ring is returned to him, and he places it on the bride’s finger, calling attention to the fact that she is by these means, consecrated to him. So completely binding is this action that, should the marriage be no further consecrated, no other could be contracted by either party, without a legal divorce.

The Rev. C. W. King, in ‘Antique Gems,’ remarks that huge gold rings adorned with filigree-work and surmounted by a small temple, with Hebrew inscriptions on the interior of the shank, puzzle the beholders as to their use, being much too large for the finger. They were made for the use of the synagogue, and are placed on the finger of the couple at a certain part of the marriage rites.

Mr. Singer, in describing the Hebrew wedding-ring in his collection, adds: ‘The Hebrews married on the first finger, as to the ring. This is done now, but even the Jews change a little, and after the ceremony the Jewish ladies take off their ring, and place it on the third finger, the same as we do, for now they wear the ordinary ring.’

The following illustrations represent the marriage-rings of the German Jews, the workmanship of the sixteenth century, and very fine specimens of art. Both are of gold; the larger one is richly ornamented in filigree with enamels of light and dark green. It is crowned by a house; the roof, which is covered with enamelled tiles, opens by means of a key, and the space within serves for perfumes or some souvenir. Four small crowns of gold are suspended from the ring.

Jewish Wedding-rings (from the Fould Collection).