Supposed ring of Roger,
King of Sicily.
In the Waterton Collection is a ring assumed on good grounds to have been that with which Cola di Rienzi, the famous tribune of Rome, was united to Catarina di Riselli. ‘The ring,’ remarks Mr. Waterton, ‘was purchased for me in Rome, for a trifling sum, at one of the periodical clearing sales of the Monte di Pietà, and I had it for several months before I discovered certain facts—which many archæologists consider to be corroborative of my supposition—that this ring was the nuptial ring of Cola di Rienzi. Its style, when compared with other objects of the period, enables us to ascribe its date to the first half of the fourteenth century. The bezel is an irregular octagon, in the centre there is cut, signet-wise, a device, two stars divided per pale. Around this are inscribed two names—Catarina, Nicola—the interstices being filled up with niello. These names are written from left to right, and not reversed. The ring is an elegant specimen of Italian workmanship, and I consider it to have been produced by a Florentine artist. The reasons for believing that this may have been the fiancial ring of Rienzi and his wife are the following: 1. The two names, Nicola (di Rienzi) and Catarina (di Riselli). 2. The date of the ring, which we may assign to 1320-1340, the time when Rienzi lived. 3. Neither Rienzi nor his wife had any armorial bearing; and, having great faith in his destiny, he is stated to have selected a star for his device. The two stars divided per pale were interpreted by an eminent Roman archæologist to be significant of the star of Rienzi, and that of his wife.’
A curious seal-ring, formerly in the possession of Sir Richard Worsley, of Appuldercombe, in the Isle of Wight, was exhibited at a meeting of the Society of Antiquaries in 1775. An impression in wax was also shown at the Plymouth Local Committee of the Exeter Diocesan Architectural Society, in July 1850, by Mr. Cotton, of Ivybridge. The thumb-ring, set in gold, and of exquisite workmanship, is said to have been in the possession of the Worsley family since the time of Henry VIII. That King usually wore it on his finger, and presented it to Sir James Worsley, his yeoman of the wardrobe, and governor of the Isle of Wight. The device represents a warrior completely armed from head to foot, and covered with a vest or surcoat; his helmet is flat at the top, and brought round under the chin, exactly in the same form as those worn in France about the middle of the thirteenth century, during the reign of Saint Louis. The scabbard of his sword hangs by his side, but the sword itself lies broken at his feet. His uplifted arms grasp a ragged or knotted staff, with which he is in the act of attacking a lion, who stands opposed to him. His shield bears the coat armour of the Stuart family; viz., Or, a fesse checky Az. and Argt. Over the lion’s head appears an arm in mail, holding a shield, with the above coat of arms of the Stuarts; and in an escutcheon of pretence, a lion rampant, the arms of Scotland and of Bruce. The sleeve of the drapery, which falls loosely from the arm, is ornamented on the border with three fleurs de lis; and the whole is enclosed within a double tressure fleury and counter-fleury, which together form the arms of Scotland.
The ‘Worsley’ seal-ring.
‘The warrior here represented’ (says Dr. Mills, Dean of Exeter, in his account of this ring) ‘seems to be Sir Walter Stuart, born anno 1393, so called from being hereditary High Steward of Scotland. He married Margery, daughter of Robert Bruce, and sister to David Bruce, Kings of Scotland. David dying without male issue, Margery became an heiress; and therefore her arms are placed here in an escutcheon of pretence on those of Walter Stuart, her husband.’
The device here represented seems to be in some measure ascertained by the account given by Sir Simeon Stuart’s family in the Baronetage of England, which says that Sir Alexander Stuart had an honourable augmentation granted by Charles VI., King of France, viz. argent the lion of Scotland, debruised with a ragged staff bend-wise or. This honour was probably granted to Sir Alexander on account of some martial achievement performed either by him or his ancestors. But the seal seems to determine it to Walter Stuart, the husband of Margery Bruce, as there is not more than fifty years between his death and the accession to the throne of Charles VI. As Sir James Worsley, ancestor to Sir Richard, married Mary, eldest daughter of Sir Nicholas Stuart, of Hartley Mauditt, in Hampshire, it is highly probable that this ring descended to the family of Worsley by this alliance.
The ring of St. Louis of France was formerly kept in the treasury of St. Denis. In ‘Le Trésor Sacré de Sainct Denys’ (1646) this ring is thus described: ‘L’anneau du mesme glorieux Roy Sainct Louis qui est précieux: il est d’or, semé de fleurs de lys, garny d’un grand saphir quarré sur lequel est gravée l’image du mesme sainct avec les lettres S. L., qui veulent dire Sigillum Lodovici. Sur le rond de l’anneau par le dedans sont gravez ces mots, “C’est le Signet du Roy S. Louis,” qui y ont esté adjoustez après sa mort.’ A representation of this remarkable ring is here given. It is now in the Musée des Souverains at the Louvre.