Another illusion of the same kind is often practised at fancy fairs and bazaars, when a spectator looking into what he supposes to be an ordinary looking-glass, sees his companions instead of himself. The way in which this is effected is very simple. A looking-glass is placed diagonally across a square box, the apertures in the sides being so arranged that the spectator does not perceive that he is looking into a glass that is placed at an angle. Of course the exhibitor endeavours to show the illusion to two persons at once; and if they are strangers to each other, and of the opposite sex, a great deal of fun is made out of the trick. A showman at Greenwich made an immense harvest by showing two such mirrors, one to all the young girls who wished to see their future husbands, and the other to all the young men who wished to see their future wives. Of course he had a tolerably good-looking male and female confederate to help him. With a couple of mirrors placed back to back in a square case, with an opening on each side, the illusion is still more perfect, as on looking through any of the holes the box seems to be quite empty.

The “Speaking Head” trick is performed on this principle. When the curtain is drawn up, the audience perceive an apparently living head placed on a small three-legged table, the curtain at the back of the stage being quite visible through the legs. By and by the bodiless head, which is generally painted in a very fantastic manner, begins to speak, answers questions, and ends by singing a song. The trick is performed in the following way: The spaces between the legs are filled with a looking-glass; consequently, the spectators see the reflection of the curtains at the sides of the stage, which are made exactly like those at the back, thus giving the table the appearance of standing on three slim legs, with nothing between. Behind the looking-glass there is of course plenty of space for the body of the man belonging to the magical head. The exhibitor naturally takes especial care never to pass in front of the table, otherwise the lower part of his body would be reflected in mirrors.

Fig. 60.—The Polemoscope.

The polemoscope (from two Greek words signifying “war” and “to see”) is another instance of double reflection. It was said to have been invented by Helvetius, about 1637. [Fig. 60] will show the principle of this instrument.

The luminous rays coming from a distant object are received upon an inclined mirror, which is elevated above the parapet of a fortification, and are reflected downwards to a second, which is placed at a corresponding angle. If necessary, lenses can be interposed, so as to give a magnified view of the distant object that is being examined. By means of such an instrument, the movements of the enemy can be followed without danger, the apparatus being generally of small size, and not attracting notice. Amongst the varieties of this instrument, is one whose use is readily seen by inspecting [fig. 61], by which it seems to be perfectly possible to see with safety all that is going on outside the door of the house without being perceived. The line of the mirrors in this case is at right angles to that of the polemoscope in [fig. 60]. Amongst the different varieties of polemoscope which have been invented, may be mentioned a reflecting opera-glass, which was greatly used by the beaux and dandies of the last century. In the tube of this instrument was inserted an inclined mirror, which allowed the spectator to point his glass in quite a different direction to that of the object he was really looking at. In fact, it was constructed somewhat on the same principle as the Herschellian or Newtonian telescope, and enabled the possessor, while apparently enjoying the play, to observe all that was going on in the boxes or pit of the theatre. Years ago, there was a little instrument of a similar kind, sold for a penny in the streets of London, which consisted of a morsel of looking-glass set at an angle, in a pill-box, and which gave the possessor the power of seeing all that was going on behind him. Persons who wear dark preservers are often in the habit of observing all that is going on behind their backs by the reflection seen in the corner of their glasses.

Such are the principal optical recreations founded on the reflecting and refracting properties of mirrors and lenses. We shall end this chapter by appending to it the description of a few additional optical amusements that are quite within the reach of the amateur.

If the reader is in possession of a concave mirror, it may be made the means of performing a number of amusing experiments. In front of it is placed a plaster head, a skull or any other object, mounted on wheels and running along a grooved platform, which is naturally kept perfectly concealed from the spectators. The mirror is slightly inclined, so as to reflect the image of the object at an angle to the observer’s eye. By running the cast backwards and forwards, it will have the appearance of advancing and retiring from the spectator in a very imposing manner. A dagger may be substituted for the cast, and by being made to work up and down on a pivot, will have the appearance of striking at the spectator. We have already seen that an experiment of this sort had such an effect on Louis XIV. that he drew his sword to defend himself from his imaginary aggressor. There is another way of performing this trick, by suddenly illuminating the skull or dagger by means of a dark-coloured box containing a light, which may be made to throw its reflections on the object, by sliding it along a couple of wires. In the case of the dagger, however, the hinged arrangement will be found more effective.

Fig. 61.—Protection against ill-natured people.