I am lodged in a humble but very comfortable country inn, kept by two sisters, whose civility is of that sort which springs from real good-nature and zeal, and not from regard to pelf alone. As I asked for a book they brought me the Chronicle of Whitby, which I turned over, while the wind roared as loudly without, as it does round our good castle of M——. In this Chronicle is a valuation of lands in the seventh century, in which Whitby, with its appurtenances, is rated at sixty shillings!
I find from it, that the vast and magnificent abbey has been destroyed neither by fire nor by violence, but was delivered over by more silent tyranny to the tooth of time. Henry the Eighth confiscated this with the rest, and sold it, even to the stones of the building. Fortunately, after several houses in the town had been built of the materials, an ancestor of the present possessor bought what remained, which has ever since been left ‘in statu quo.’
Guisborough:—Evening.
I had written a note to Lord Mulgrave, the proprietor of a great alum-work, and of a beautiful house and park on the sea-shore, begging permission to see them. He sent me a very polite answer, and a groom on horseback to conduct me. This aggravated the yesterday’s misery; and the chief magistrate of the little town now though fit to becompliment me by the mission of two of his colleagues, who were also secretaries of the Museum, which they proposed to show me. As it contains many very curious fossils found in this neighbourhood, I accepted their offer. Half the town was collected again, and followed us, with an ‘arrière garde’ of a very noisy ‘jeunesse.’ In the Museum I found a number of the members assembled, and a blooming company of ladies, from whose attractive faces I was continually forced to turn away my eyes to look at a crocodile or a petrified fish. The two secretaries had divided the duties between them:—one did the honours of the fish and amphibia; the other of the quadrupeds, birds, and minerals: and both were so zealous that I should see everything in their respective departments, while some dilettanti were no less eager to show me other things, that I had need of the hundred eyes of Argus to take in all. The thing which interested me the most was an Esquimaux canoe with the fishing apparatus complete, presented by Captain Parry. It is made entirely of whalebone and seal-skins, and so light that one can scarcely conceive how it can encounter the sea. It is tolerably long; but in the centre, at its greatest breadth, scarcely a foot across; the whole is enclosed like a box, with the exception of a round hole in the middle, in which the Esquimaux sits and balances his little bark with a double oar. The petrifactions of all kinds, as well of existing as of antediluvian animals and plants, are extremely numerous and fine, and the large crocodile, almost perfect, is certainly ‘unique’ in its kind. The gentlemen insisted on accompanying me back to my inn, whither we were attended by the usual ‘cortège.’ As I drove off, a dreadful hurrah resounded, and several of the children of both sexes did not quit me till they found it impossible to keep pace with the horses.
I now drove slowly along the beach, conducted by Lord Mulgrave’s servant. I alighted to walk, and amused myself with picking up little stones of the most brilliant colours which covered the beach. In an hour we reached the alum-work, which lies in the most romantic situation, between the abrupt cliffs overhanging the sea. I examined it all very minutely, as you will see by the accompanying letter to the A—— D——.
I had to go back along a path which seemed fit only for goats, and of the inconveniences of which the overseer had advertized me. Sometimes it was scarcely a foot broad, and at its sides rose a smooth alum rock of two hundred feet perpendicular height. Along such paths, many of which intersect the rocks, the men work, and hew away the alum ore which lies near the surface. This affords the strangest spectacle you can imagine: the men appear to hang to the wall of rock like swallows, and are often obliged to be pulled up by ropes. Below, in the valley, are large cars for carrying away the ore, which is incessantly heard clattering down the rocks. It took me two hours to see all; and I then drove to the house, where Lord Mulgrave’s son (the earl himself being ill of the gout) regaled me very hospitably with an excellent luncheon, and conducted me about the park. It is indebted for its greatest beauties to Nature, to whose rocks, brooks, and wooded glens, you have access through very judiciously-cut roads, some German miles in length. From the house you look from under high oaks and beeches along a velvet turf, upon the sea, covered with a hundred sails. One of the greatest ornaments of the park is the old castle,—a ruin believed to have been originally a Roman fort, and afterwards the castle of the Saxon prince Wanda. At a later period it was given to the ancestor of the present family by King John, as a reward for the murder of the young prince, so touchingly described by Shakspeare. The view from the old battlements is wild and picturesque. In the new castle, which was built fifty years ago in the Gothic style, I was much struck with the portrait of a female ancestor of the present earl, who must have been lovely and no less original; for she is painted in deep mourning, and yet she sits smiling at a window with this inscription in old English: “Since my husband’s love was but a jest, so is my mourning but a jest.”
Young Mr. Phipps told me that a strange accident occurred on a ridge of slate-rocks which run into the sea near the house.—Two girls were sitting on a cliff with their backs to the sea; a sharp fragment of the slate split off from the rock high above them, and falling with increasing velocity cut off the head of one of them, (who was earnestly talking to the other,) so clean, that it rolled to a distance on the sand, while the trunk remained unmoved. The parents are still living in the village.
Ripon, Sept. 27th.
I slept through the night very well in my carriage, breakfasted in the garden of a pretty inn, and then hastened to Studley Park, which contains the famous ruins of Fountain’s Abbey, esteemed the largest and most beautiful in England. They far exceeded my expectation, as did the park.—I must describe them to you as I saw them.
The way leads through a majestic wood, first to a steep hill, and then, at an abrupt turn, to a green valley about three or four hundred feet wide, in the centre of which is a little river broken into various natural waterfalls. On one side of the valley is a considerable chain of hills, overgrown with venerable ashes, beeches, and oaks; on the other, an abrupt wall of rock overhung with trailing plants, and also crowned with old trees. The whole end of the valley is closed by the ruins and the lofty towers of the abbey. You will easily form some conception of the vastness of these ruins, when I tell you that the buildings belonging to the abbey, when entire, covered fifteen acres of ground, and that the ruins now cover four. The nave of the church, great part of the walls of which are still standing, is three hundred and fifty-one feet in length, the oriel window fifty feet high, and the tower, though partly fallen down, a hundred and sixty-six feet high. The architecture is of the best period—the twelfth and thirteenth centuries—as simple as it is grand. A gateway leads from the church to the cloister, three hundred feet long and forty-two wide; a second to the cloister garden, which is cultivated as a flower-garden by its present possessor, and surrounded by various picturesque ruins,—the library, court and chapter-house. The vaulted ceiling of the latter, like the Römer in Marienburg, is supported by a single pillar in the centre. The groined roof of the kitchen is constructed, with consummate skill, without any support. Near it is the magnificent confectory, a hundred and eight feet long and forty-five wide:—this was, of course, the crown and glory of the abbey, which was famed for its luxury and dissoluteness. In the church are many monuments—one of Lord Mowbray in full chain armour, carved in stone; further on, several abbots; and lastly, a stone coffin, which contained the mortal remains of Harry Percy. Above it is an angel, in good preservation, and beneath it the date 1283, very distinct. At the top of the tower is a Latin inscription in gigantic Gothic letters, which proclaims from on high these beautiful and appropriate words, “Glory and praise to God alone through all ages!” The whole ruin is hung with draperies of ivy and creeping plants, and majestic trees here and there wave their tops above it. The river winds by, and a few steps further on, turns the old abbey-mill, which is still in use; as if to teach the lesson, that when power and magnificence pass away, the useful retains its modest existence. At a short distance behind the abbey stands the old dwelling of the proprietor, which was built out of the fallen stones of the ruins in the sixteenth century. This, too, is highly picturesque, though of course in a far less noble style. Its walled gardens with their high-cut yew hedges, and regular, trim flower-beds; and the mixture of objects comparatively modern, yet now fast acquiring a claim to antiquity, give the fancy an agreeable and spacious field to expatiate in. Here are perhaps the oldest yews in England. One, which is thought to be a thousand years old, is thirty feet in circumference in the thickest part of its stem. Among the carvings in the house are those of two old knights taken from the abbey, with the inscription, probably modern, ‘Sic transit gloria mundi.’ The decay of Fountain’s Abbey, too, is to be attributed to the suppression of monasteries under Henry the Eighth.