Fatigued by my tour the day before yesterday, I passed the following morning in my own room. In the evening I visited the English Opera. The house is neither large nor elegant, but the actors very good. There was no opera, however, but hideous melo-drames; first, Frankenstein, where a human being is made by magic,—a manufacture which answers very ill; and then the Vampire, after the well-known tale falsely attributed to Lord Byron. The principal part in both was acted by Mr. Cooke, who is distinguished for a very handsome person, skilful acting, and a remarkably dignified, noble deportment. The acting was, indeed, admirable throughout, but the pieces so stupid and monstrous that it was impossible to sit out the performance. The heat, the exhalations, and the audience were not the most agreeable. Besides all this, the performance lasted from seven to half-past twelve,—too long for the best.

The next day I drove to Hampton Court to visit the palace, the stud, and my old friend Lady ——. Of all three I found the first the least altered, and the celebrated vine laden as usual with grapes. It had considerably above a thousand bunches, and completely covered a hot-house of seventy-five feet long by twenty-five wide. In a corner stood, like the dim progenitor of a haughty race, its brown stem, as lost and obscure as if it did not belong to the magnificent canopy of leaves and fruit which owe their existence to it alone.

Most of the rooms in the palace have still the same furniture as in the time of William the Third. The torn chairs and curtains are carefully preserved. The walls are hung with many interesting and admirable pictures;—above all, the celebrated Cartoons of Raphael, which, however, are soon to be transferred to the King’s new palace. I must only mention two fine portraits,—that of Wolsey, the haughty founder of this palace, and that of Henry the Eighth, his treacherous master. Both are admirable and highly characteristic. You remember that fat lawyer whom we had such difficulty in getting rid of; with an animal expression of countenance, sensual, bloodthirsty as far as the present times render it possible to be so, clever, subtle, full of talent and of craft, with boundless haughtiness, and yet a resistless tendency to the vulgar, and, lastly, utterly and frankly devoid of all conscience;—give the picture of Henry a green frock-coat and pearl buttons, and you have a most faithful portrait of him.

Nature continually repeats herself in different ‘nuances,’—they vary according to the state of mankind and of the world.

In the night I was very nearly suffocated. The Jocrisse I imported, who had probably been too hospitably entertained by some English acquaintance, thought proper to take the coals out of the fireplace while I was asleep, and left them standing in my room in a lackered coal-scuttle. A frightful smoke and infernal smell fortunately awoke me just as I was dreaming that I was a courtier of Henry the Eighth, and was paying my court to a French beauty at the Champ du Drap d’Or; otherwise I should have gone to meet the fair one of my dream in heaven.

Almost like that heaven, as distant and as lovely, appears to me the place where you are dwelling, my truest friend: and thus I send you the kiss of peace across the sea, and close my first English letter, wishing you health and every blessing.

Your devoted L——.

LETTER IV.

London, Oct. 15th, 1826.

It seems to me that I shall never get accustomed to this climate, for ever since my landing I have felt perpetually unwell. However, so long as I am not confined to my chamber, I do not suffer it to depress me much; I ride a great deal in the lovely cultivated environs of London, and do not abstain from my walks about the town.