Such are the hints and notes out of which eventually grew the chapters of “At Tikhon’s,” and we do not know the reason why they were not included by Dostoevsky in The Possessed. Some details of Stavrogin’s Confession were later used by Dostoevsky for the character of Versilov in The Raw Youth.
INTRODUCTION
TO THE UNPUBLISHED CHAPTER
OF
THE POSSESSED
BY
V. KOMAROVICH
THE UNPUBLISHED CHAPTER
OF
THE POSSESSED
The chapter of The Possessed, Stavrogin’s confession of his terrible crime, excluded from the completed novel, first became known to Merezhkovsky. Mrs. F. M. Dostoevsky (Anna Gregorievna Dostoevsky, Dostoevsky’s widow) originally intended to invite Merezhkovsky to edit the 1906 Jubilee Edition of Dostoevsky’s Works and showed him the precious fragment in manuscript. In his book, Tolstoi and Dostoevsky, M. preserved his first impression of that reading by saying that it surpasses the bounds of the possible in its concentrated expression of horror. A. G. Dostoevsky hesitated to publish the chapter in full, and gave parts of it only in her edition of 1906 as a supplement to The Possessed. Her hesitation is understandable: Stavrogin’s terrible confession was not a complete secret even to Dostoevsky’s contemporaries. Excluded from the novel at Katkov’s request, the Confession became known by hearsay, and round these rumours grew up the dark legend of Dostoevsky as a Marquis de Sade. It was the doing of his enemies and of faithless friends.[[91]] But the feeling which kept the author’s widow from publishing the fragment of The Possessed must not restrain the student of Dostoevsky. Indeed, the dark legend that Dostoevsky was a sensualist is based (by N. Strakhov chiefly) either on an obscure calumny, or on coarse and callous surmises as to the mystery of that troubled and too exacting conscience which was the mark of Dostoevsky’s character. And we believe that the surest way of freeing Dostoevsky’s memory from those false accusations is by means of open enquiry and the fullest understanding of Dostoevsky as an artist.