The most melancholy moment of the twenty-four hours was evening, when night set in. We went to bed very early. A smoky lamp just gave us one point of light at the very end of the room, near the door. In our corner we were almost in complete darkness. The air was pestilential, stifling. Some of the sick people could not get to sleep, would rise up, and remain sitting for an hour together on their beds, with their heads bent, as though they were in deep reflection. These I would look at steadily, trying to guess what they might be thinking of; thus I tried to kill time. Then I became lost in my own reveries; the past came up to me again, showing itself to my imagination in large powerful outlines filled with high lights and massive shadows, details that at any other time would have remained in oblivion, presented themselves in vivid force, making on me an impression impossible under any other circumstances.

Then I would begin to muse dreamily on the future. When shall I leave this place of restraint, this dreadful prison? Whither betake myself? What will then befall me? Shall I return to the place of my birth? So I brood, and brood, until hope lives once again in my soul.

Another time I would begin to count, one, two, three, etc., to see if sleep could be won that way. I would set sometimes as far as three thousand, and was as wakeful as ever. Then somebody would turn in his bed.

Then there’s Oustiantsef coughing, that cough of the hopelessly-gone consumptive, and then he would groan feebly, and stammer, “My God, I’ve sinned, I’ve sinned!”

How frightful it was, that voice of the sick man, that broken, dying voice, in the midst of that silence so dead and complete! In a corner there are some sick people not yet asleep, talking in a low voice, stretched on their pallets. One of them is telling the story of his life, all about things infinitely far off; things that have fled for ever; he is talking of his trampings through the world, of his children, his wife, the old ways of his life. And the very accent of the man’s voice tells you that all those things are for ever over for him, that he is as a limb cut off from the world of men, cut off, thrown aside; there is another, listening intently to what he is saying. A weak, feeble sort of muttering and murmuring comes to one’s ear from far-off in the dreary room, a sound as of far-off water flowing somewhere.... I remember that one time, during a winter night that seemed as if it would never end, I heard a story which at first seemed as if it were the stammerings of a creature in nightmare, or the delirium of fever. Here it is:

FOOTNOTES:

[4] What I relate about corporal punishment took place during my time. Now, as I am told, everything is changed, and is changing still.


CHAPTER IV. THE HUSBAND OF AKOULKA