“He’s always twisting round what one says,” she cried.
“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”
“You are inclined to go a little too far, my good boy, with your guesses,” said Mrs. Epanchin, with some show of annoyance.
“But it’s not I alone,” cried Colia. “They all talked about it, and they do still. Why, just now Prince S. and Adelaida Ivanovna declared that they upheld ‘the poor knight’; so evidently there does exist a ‘poor knight’; and if it were not for Adelaida Ivanovna, we should have known long ago who the ‘poor knight’ was.”
“Why, how am I to blame?” asked Adelaida, smiling.
“You wouldn’t draw his portrait for us, that’s why you are to blame! Aglaya Ivanovna asked you to draw his portrait, and gave you the whole subject of the picture. She invented it herself; and you wouldn’t.”
“What was I to draw? According to the lines she quoted:
“‘From his face he never lifted
That eternal mask of steel.’”
“What sort of a face was I to draw? I couldn’t draw a mask.”
“I don’t know what you are driving at; what mask do you mean?” said Mrs. Epanchin, irritably. She began to see pretty clearly though what it meant, and whom they referred to by the generally accepted title of “poor knight.” But what specially annoyed her was that the prince was looking so uncomfortable, and blushing like a ten-year-old child.