He soon sank into complete forgetfulness.
When Pyotr Stepanovitch went out without coming to see her, as he had promised, Varvara Petrovna, who had been worn out by anxiety during these days, could not control herself, and ventured to visit her son herself, though it was not her regular time. She was still haunted by the idea that he would tell her something conclusive. She knocked at the door gently as before, and again receiving no answer, she opened the door. Seeing that Nikolay Vsyevolodovitch was sitting strangely motionless, she cautiously advanced to the sofa with a throbbing heart. She seemed struck by the fact that he could fall asleep so quickly and that he could sleep sitting like that, so erect and motionless, so that his breathing even was scarcely perceptible. His face was pale and forbidding, but it looked, as it were, numb and rigid. His brows were somewhat contracted and frowning. He positively had the look of a lifeless wax figure. She stood over him for about three minutes, almost holding her breath, and suddenly she was seized with terror. She withdrew on tiptoe, stopped at the door, hurriedly made the sign of the cross over him, and retreated unobserved, with a new oppression and a new anguish at her heart.
He slept a long while, more than an hour, and still in the same rigid pose: not a muscle of his face twitched, there was not the faintest movement in his whole body, and his brows were still contracted in the same forbidding frown. If Varvara Petrovna had remained another three minutes she could not have endured the stifling sensation that this motionless lethargy roused in her, and would have waked him. But he suddenly opened his eyes, and sat for ten minutes as immovable as before, staring persistently and curiously, as though at some object in the corner which had struck him, although there was nothing new or striking in the room.
Suddenly there rang out the low deep note of the clock on the wall.
With some uneasiness he turned to look at it, but almost at the same moment the other door opened, and the butler, Alexey Yegorytch came in. He had in one hand a greatcoat, a scarf, and a hat, and in the other a silver tray with a note on it.
“Half-past nine,” he announced softly, and laying the other things on a chair, he held out the tray with the note—a scrap of paper unsealed and scribbled in pencil. Glancing through it, Nikolay Vsyevolodovitch took a pencil from the table, added a few words, and put the note back on the tray.
“Take it back as soon as I have gone out, and now dress me,” he said, getting up from the sofa.
Noticing that he had on a light velvet jacket, he thought a minute, and told the man to bring him a cloth coat, which he wore on more ceremonious occasions. At last, when he was dressed and had put on his hat, he locked the door by which his mother had come into the room, took the letter from under the paperweight, and without saying a word went out into the corridor, followed by Alexey Yegorytch. From the corridor they went down the narrow stone steps of the back stairs to a passage which opened straight into the garden. In the corner stood a lantern and a big umbrella.
“Owing to the excessive rain the mud in the streets is beyond anything,” Alexey Yegorytch announced, making a final effort to deter his master from the expedition. But opening his umbrella the latter went without a word into the damp and sodden garden, which was dark as a cellar. The wind was roaring and tossing the bare tree-tops. The little sandy paths were wet and slippery. Alexey Yegorytch walked along as he was, bareheaded, in his swallow-tail coat, lighting up the path for about three steps before them with the lantern.
“Won’t it be noticed?” Nikolay Vsyevolodovitch asked suddenly.