“And if there had been a hundred lame girls—we’ve all been young once!”
Nikolay Vsyevolodovitch’s respectfulness to his mother was enlarged upon. Various virtues were discovered in him. People talked with approbation of the learning he had acquired in the four years he had spent in German universities. Gaganov’s conduct was declared utterly tactless: “not knowing friend from foe.” Yulia Mihailovna’s keen insight was unhesitatingly admitted.
So by the time Nikolay Vsyevolodovitch made his appearance among them he was received by every one with naïve solemnity. In all eyes fastened upon him could be read eager anticipation. Nikolay Vsyevolodovitch at once wrapped himself in the most austere silence, which, of course, gratified every one much more than if he had talked till doomsday. In a word, he was a success, he was the fashion. If once one has figured in provincial society, there’s no retreating into the background. Nikolay Vsyevolodovitch began to fulfil all his social duties in the province punctiliously as before. He was not found cheerful company: “a man who has seen suffering; a man not like other people; he has something to be melancholy about.” Even the pride and disdainful aloofness for which he had been so detested four years before was now liked and respected.
Varvara Petrovna was triumphant. I don’t know whether she grieved much over the shattering of her dreams concerning Lizaveta Nikolaevna. Family pride, of course, helped her to get over it. One thing was strange: Varvara Petrovna was suddenly convinced that Nikolay Vsyevolodovitch really had “made his choice” at Count K.’s. And what was strangest of all, she was led to believe it by rumours which reached her on no better authority than other people. She was afraid to ask Nikolay Vsyevolodovitch a direct question. Two or three times, however, she could not refrain from slyly and good-humouredly reproaching him for not being open with her. Nikolay Vsyevolodovitch smiled and remained silent. The silence was taken as a sign of assent. And yet, all the time she never forgot the cripple. The thought of her lay like a stone on her heart, a nightmare, she was tortured by strange misgivings and surmises, and all this at the same time as she dreamed of Count K.’s daughters. But of this we shall speak later. Varvara Petrovna began again, of course, to be treated with extreme deference and respect in society, but she took little advantage of it and went out rarely.
She did, however, pay a visit of ceremony to the governor’s wife. Of course, no one had been more charmed and delighted by Yulia Mihailovna’s words spoken at the marshal’s soirée than she. They lifted a load of care off her heart, and had at once relieved much of the distress she had been suffering since that luckless Sunday.
“I misunderstood that woman,” she declared, and with her characteristic impulsiveness she frankly told Yulia Mihailovna that she had come to thank her. Yulia Mihailovna was flattered, but she behaved with dignity. She was beginning about this time to be very conscious of her own importance, too much so, in fact. She announced, for example, in the course of conversation, that she had never heard of Stepan Trofimovitch as a leading man or a savant.
“I know young Verhovensky, of course, and make much of him. He’s imprudent, but then he’s young; he’s thoroughly well-informed, though. He’s not an out-of-date, old-fashioned critic, anyway.” Varvara Petrovna hastened to observe that Stepan Trofimovitch had never been a critic, but had, on the contrary, spent all his life in her house. He was renowned through circumstances of his early career, “only too well known to the whole world,” and of late for his researches in Spanish history. Now he intended to write also on the position of modern German universities, and, she believed, something about the Dresden Madonna too. In short, Varvara Petrovna refused to surrender Stepan Trofimovitch to the tender mercies of Yulia Mihailovna.
“The Dresden Madonna? You mean the Sistine Madonna? Chère Varvara Petrovna, I spent two hours sitting before that picture and came away utterly disillusioned. I could make nothing of it and was in complete amazement. Karmazinov, too, says it’s hard to understand it. They all see nothing in it now, Russians and English alike. All its fame is just the talk of the last generation.”
“Fashions are changed then?”
“What I think is that one mustn’t despise our younger generation either. They cry out that they’re communists, but what I say is that we must appreciate them and mustn’t be hard on them. I read everything now—the papers, communism, the natural sciences—I get everything because, after all, one must know where one’s living and with whom one has to do. One mustn’t spend one’s whole life on the heights of one’s own fancy. I’ve come to the conclusion, and adopted it as a principle, that one must be kind to the young people and so keep them from the brink. Believe me, Varvara Petrovna, that none but we who make up good society can by our kindness and good influence keep them from the abyss towards which they are brought by the intolerance of all these old men. I am glad though to learn from you about Stepan Trofimovitch. You suggest an idea to me: he may be useful at our literary matinée, you know I’m arranging for a whole day of festivities, a subscription entertainment for the benefit of the poor governesses of our province. They are scattered about Russia; in our district alone we can reckon up six of them. Besides that, there are two girls in the telegraph office, two are being trained in the academy, the rest would like to be but have not the means. The Russian woman’s fate is a terrible one, Varvara Petrovna! It’s out of that they’re making the university question now, and there’s even been a meeting of the Imperial Council about it. In this strange Russia of ours one can do anything one likes; and that, again, is why it’s only by the kindness and the direct warm sympathy of all the better classes that we can direct this great common cause in the true path. Oh, heavens, have we many noble personalities among us! There are some, of course, but they are scattered far and wide. Let us unite and we shall be stronger. In one word, I shall first have a literary matinée, then a light luncheon, then an interval, and in the evening a ball. We meant to begin the evening by living pictures, but it would involve a great deal of expense, and so, to please the public, there will be one or two quadrilles in masks and fancy dresses, representing well-known literary schools. This humorous idea was suggested by Karmazinov. He has been a great help to me. Do you know he’s going to read us the last thing he’s written, which no one has seen yet. He is laying down the pen, and will write no more. This last essay is his farewell to the public. It’s a charming little thing called ‘Merci.’ The title is French; he thinks that more amusing and even subtler. I do, too. In fact I advised it. I think Stepan Trofimovitch might read us something too, if it were quite short and … not so very learned. I believe Pyotr Stepanovitch and some one else too will read something. Pyotr Stepanovitch shall run round to you and tell you the programme. Better still, let me bring it to you myself.”